Kenny Garrett Brings Big Thunder to 2005 Barbados Jazz Festival
from Allaboutjazz.com
By Bill King
“If there were one defining performance that can be certified jazz and most memorable it would be the blistering session saxophonist Kenny Garrett levelled the landscape with.”
Day five, the much anticipated Alicia Keys performance was a dressy affair. Tickets sold for $120 a p
If there was one defining performance that can be certified jazz and most memorable it would be the blistering session saxophonist Kenny Garrett leveled the landscape with. Garrett plays for keeps. With Carlos McKinney at the keyboard, Chris Bond bass and Ron Bruner firing on all cylinders behind the kit - Garrett and company spanked the crowd with a fierce opener played at top speed. Ideas spilled from all directions many colliding and dispersing into fragments. Garrett knows how to entertain. Hip-hop is no sideline with the wizard as he goaded the audience into a good time call and response on the “Tick Tock Tune.” Garrett never lacerated the ears with the relentless screeching many smooth jazz saxophonists prefer. Instead, there was a method to his improvisations - there were peaks and valleys - conflict and resolution. Drummer Ron Bruner was the perfect foil. Bruner can stir more interest and heat with a repetitive rhythmic figure than most certified drum Gods. The pulse was most hypnotic causing Garrett to keep the sing along moving absent any clue to when and how it would conclude. The effect was mesmerizing. Even when the ninety-minute performance was assured and nearing the end, Garrett and Bruner drove the beat even harder.
Photo Credit
Bill King
Wednesday, January 26, 2005
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