A arare shot - atl eastto this writer's eyes of reed man Byard Lancaster at the piano in his Philly hometown
Sunday, May 28, 2006
Friday, May 26, 2006
Every Little Thing # 8
Afro-Canadian filmmaker explores the ties that bind
Michael A Edwards, Entertainment Editor
Thursday, February 23, 2006
From left: Canadian High Commissioner to Jamaica Claudio Valle, Kingston Mayor Desmond McKenzie and Canadian author Cheryl Foggo in discussion during a special reception/presentation at the Canadian High Commissioner's residence in Kingston on Monday.
The last thing many of the incoming guests expected to be greeted by in the patio of the Canadian High Commissioner's residence this past Monday was a movie.
Yet, by evening's end, not only did all present come to thoroughly enjoy the film, but everyone was brought to the realisation of just how deep the connections are between peoples of this hemisphere and our varied Continental (Africa, Asia and Europe) forebears.
The film in question was The Journey of Lesra Martin, a biographical feature. The subject may not at present be a household name to Jamaicans, but those who witnessed Denzel Washington's performance as Reuben 'Hurricane' Carter may have heard the name mentioned a few times.
It was a young Lesra Martin, native to an already depressed Brooklyn neighbourhood, who was instrumental in bringing attention to Carter's case and precipitating his eventual release.
But what, you may ask, are the connections between these characters, and further, how is a Canadian so integrally involved?
The Canadian, multi-talented writer-producer-director Cheryl Foggo, who was guest-of-honour at said reception, is in fact the writer and director of Lesra Martin's journey. Cerebral yet entirely personable, Foggo has her own interesting journey, but more on that shortly.
Lesra Martin of Brooklyn was able to escape the ghetto grind when he caught the attention of visiting Canadian entrepreneurs while on an internship programme.
This meant eventually Lesra (a combination of the biblical Lazarus and Ezra) settling in Canada, where he
considerably augmented his then meagre education, fulfilled his eighth grade dream of becoming an attorney
and met and married the woman of his dreams.
He would also meet Reuben Carter, whom he first came across via a book picked up from a discount bin. The two
became fast friends - more like father and son - and of course, on the release of the movie, celebrities in their
own right. Lesra managed to parlay his fame into a lucrative and important career as a full-time motivational speaker.
But of course, journeys tend to cover valleys as well as peaks, and Lesra has had to deal with loss in his family,
including two brothers (one to AIDS, another to a shooting incident) and both of his parents.
These misfortunes, however, make his story more, rather than less, compelling, and the film ends with Lesra
"coming home" to face the things that have changed, as well as those that remain.
The Journey of Lesra Martin is but one arrow in a quiver full of interesting projects that Cheryl Foggo has undertaken.
One of the others is Pourin' Down Rain, a family memoir outlining Foggo's own multiracial heritage. It's a heritage
that incorporates Native American, African and European elements, and which geographically pulls in Bermuda, Oklahoma,
and Alberta, Canada, where her forebears established the northernmost Black community in the world in the early 20th Century.
Michael A Edwards, Entertainment Editor
Thursday, February 23, 2006
From left: Canadian High Commissioner to Jamaica Claudio Valle, Kingston Mayor Desmond McKenzie and Canadian author Cheryl Foggo in discussion during a special reception/presentation at the Canadian High Commissioner's residence in Kingston on Monday.
The last thing many of the incoming guests expected to be greeted by in the patio of the Canadian High Commissioner's residence this past Monday was a movie.
Yet, by evening's end, not only did all present come to thoroughly enjoy the film, but everyone was brought to the realisation of just how deep the connections are between peoples of this hemisphere and our varied Continental (Africa, Asia and Europe) forebears.
The film in question was The Journey of Lesra Martin, a biographical feature. The subject may not at present be a household name to Jamaicans, but those who witnessed Denzel Washington's performance as Reuben 'Hurricane' Carter may have heard the name mentioned a few times.
It was a young Lesra Martin, native to an already depressed Brooklyn neighbourhood, who was instrumental in bringing attention to Carter's case and precipitating his eventual release.
But what, you may ask, are the connections between these characters, and further, how is a Canadian so integrally involved?
The Canadian, multi-talented writer-producer-director Cheryl Foggo, who was guest-of-honour at said reception, is in fact the writer and director of Lesra Martin's journey. Cerebral yet entirely personable, Foggo has her own interesting journey, but more on that shortly.
Lesra Martin of Brooklyn was able to escape the ghetto grind when he caught the attention of visiting Canadian entrepreneurs while on an internship programme.
This meant eventually Lesra (a combination of the biblical Lazarus and Ezra) settling in Canada, where he
considerably augmented his then meagre education, fulfilled his eighth grade dream of becoming an attorney
and met and married the woman of his dreams.
He would also meet Reuben Carter, whom he first came across via a book picked up from a discount bin. The two
became fast friends - more like father and son - and of course, on the release of the movie, celebrities in their
own right. Lesra managed to parlay his fame into a lucrative and important career as a full-time motivational speaker.
But of course, journeys tend to cover valleys as well as peaks, and Lesra has had to deal with loss in his family,
including two brothers (one to AIDS, another to a shooting incident) and both of his parents.
These misfortunes, however, make his story more, rather than less, compelling, and the film ends with Lesra
"coming home" to face the things that have changed, as well as those that remain.
The Journey of Lesra Martin is but one arrow in a quiver full of interesting projects that Cheryl Foggo has undertaken.
One of the others is Pourin' Down Rain, a family memoir outlining Foggo's own multiracial heritage. It's a heritage
that incorporates Native American, African and European elements, and which geographically pulls in Bermuda, Oklahoma,
and Alberta, Canada, where her forebears established the northernmost Black community in the world in the early 20th Century.
Every Little Thing #9
Their best shots
UK photographer to organize summer programme for inner-city youth
by Michael A Edwards Entertainment Editor
Sunday, March 05, 2006
Being exposed to the harsh realities of inner- city life in Jamaica, its easy to believe that the youth in
these communities have little to offer, and that their choices are limited to either a gun or a microphone.
But one British photographer, is aiming to get more inner city kids used to another object: a camera.
David Gill is a freelance photo-journalist, who has visited Jamaica several times, and has done assignemtns here
for the likes of Puma and VP Records. "I know it sounds horribly cliched, but I fell in love with the place,"
he recounts to Sunday Observer.
But its not the fairytales and moonbeams, idyllic country roads kind of love affair. Gill's previous assignments
include teaching tsunami-affected children the joys of photojournalism in Sri Lanka, chasing round the mountains
of Morroco hunting West African migrants on the run, and being "embedded" with the
Black Watch ops team and the Bomb Squad in Iraq.
And whether its football in Arnett Gardens, or a local dance in Spanish Town, Gill is every bit as fascinated by
Jamaican inner cities as he is with the other exotic locales.
So much so that, through an organization called Wee Fi' Life, based in London, Gill is aiming to do something about
the situation.
"What we envisage is an eight-week workshop, sometime in July, where we take some of the kids, teach them photography
, and then at the end of the period, rather than just have a static exhibition, which most of them won't relate to
anyway, we're going to give them the opportunity to become published photographers."
Photos by photo-journalist David Gill
To that end, Gill has secured the co-operation of UK-based style and imaging magazine Plastic Rhino (total readership,
as per its website: 50,000), which plans to run a special pictorial on the works of the young photogs. A similar document,
entitled No Place Like Home, was produced after the Sri Lanka tsunami experience.
Gill is working along with a number of vouluntary groups in putting the project together, including Children First,
Upliftment Jamaica and S-Corner. These organizations, he says, "are doing tremendous work, and it is good to have their
support. The whole welcome has been fantastic and its starting to come together really well."
UK photographer to organize summer programme for inner-city youth
by Michael A Edwards Entertainment Editor
Sunday, March 05, 2006
Being exposed to the harsh realities of inner- city life in Jamaica, its easy to believe that the youth in
these communities have little to offer, and that their choices are limited to either a gun or a microphone.
But one British photographer, is aiming to get more inner city kids used to another object: a camera.
David Gill is a freelance photo-journalist, who has visited Jamaica several times, and has done assignemtns here
for the likes of Puma and VP Records. "I know it sounds horribly cliched, but I fell in love with the place,"
he recounts to Sunday Observer.
But its not the fairytales and moonbeams, idyllic country roads kind of love affair. Gill's previous assignments
include teaching tsunami-affected children the joys of photojournalism in Sri Lanka, chasing round the mountains
of Morroco hunting West African migrants on the run, and being "embedded" with the
Black Watch ops team and the Bomb Squad in Iraq.
And whether its football in Arnett Gardens, or a local dance in Spanish Town, Gill is every bit as fascinated by
Jamaican inner cities as he is with the other exotic locales.
So much so that, through an organization called Wee Fi' Life, based in London, Gill is aiming to do something about
the situation.
"What we envisage is an eight-week workshop, sometime in July, where we take some of the kids, teach them photography
, and then at the end of the period, rather than just have a static exhibition, which most of them won't relate to
anyway, we're going to give them the opportunity to become published photographers."
Photos by photo-journalist David Gill
To that end, Gill has secured the co-operation of UK-based style and imaging magazine Plastic Rhino (total readership,
as per its website: 50,000), which plans to run a special pictorial on the works of the young photogs. A similar document,
entitled No Place Like Home, was produced after the Sri Lanka tsunami experience.
Gill is working along with a number of vouluntary groups in putting the project together, including Children First,
Upliftment Jamaica and S-Corner. These organizations, he says, "are doing tremendous work, and it is good to have their
support. The whole welcome has been fantastic and its starting to come together really well."
Monday, May 22, 2006
Every Little Thing # 7 of 10
Michael Grant's Daylight Come
Portrait of a generation: Michael Grant's novel Daylight Come
Michael A Edwards Entertainment Editor
Sunday, April 02, 2006
For the average Jamaican today, in a population largely under age 40, the thought of Jamaica during the WWII years
is near impossible to conjure up: food and gas rations, young men going off to aid the war effort on behalf of the
Empire, all this as the then colony lurched toward self-determination.
Michael A Grant is an advertising executive and lecturer in Advertising and Visual Communication at UWI.
Add to that the growing contest between American and British interests in the Caribbean, which were intensified during
the war as well as in its immediate aftermath, and one has the ingredients of a compelling and little told story.
It is that story, or his own approximation of it, that marketing executive and designer Michael Grant seeks to tell in
his book, Daylight Come. Grant, a child of the Independence period, presents an engaging portrait of the generation that
predeced his, as symbolised by the protagonist, Peter 'Pico' Campbell.
The reader first sees Campbell in two extremes, as a young promising athlete, and then in a 'flash-forward' as an aging
picaresque, hardened by drink and the ravages of his wartime experiences but still holding on, beneath the cynicism to
some vestigal thoughts of his own prowess (both sporting and sexual).
Part wartime suspense thriller, part social studies treatise, part character sketch Daylight evolved out of the author's
mutlifaceted literary and historical interests "I was always drawn more to cultural history than political history," Grant
says in explaining the novel. "My father was a young boy at the height of WWII and I was fascinated about what Jamaican life
would have been like during that time."
For Grant, there is an extent to which characters like 'Pico' Campbell write themselves. "What I sought to do with this story
is to plug an ordinary Jamaican - but one with a burning desire to get out of Jamaica, as indeed many of us have - and place
him in a fanciful situation and have him work his way through it."
Though the book is published on his own Great House Publishing imprint, Grant rebuffs any thought of it being a mere vanity
exercise; "What self-publishing did was give me a greater measure of control, but also a greater measure of responsibility.
I still had it edited and read professionally, and I had friends who were agents that I showed it to who graciously gave me
their unbiased feedback and recommendations.
As a 'Jamerican' (he was educated at top-tier schools in the US and worked in the media and communications indutries in
New York City), Grant believes that Jamaicans and Black Americans should enjoy closer relationships. "There's kind of a
distance, a kind of stand-off that I've observed and it shouldn't be that way. Some of the circumstances may have been
different, but culturally, we have a lot in common."
Daylight Come, in the mold of the folk song that informs its title, is a reflection on a time when, as Grant explains,
the society was less jaded, indeed more innocent than it is today.
His current project cuts across a number of time periods. It is a book about notable Jamaican men, called Changemakers,
along with well-known photographer Peter Ferguson.
Of his own decision, to leave the world of Madison Avenue and writing assignments with the likes of the Wall Street Journal
and the New York Times, to return home, Grant offers this explanation, "I understand what obtains here and I understood that
there was and is a cost to my decision, but I really believed it was time to come home. There is a point at which you can be
making money, but losing value."
Portrait of a generation: Michael Grant's novel Daylight Come
Michael A Edwards Entertainment Editor
Sunday, April 02, 2006
For the average Jamaican today, in a population largely under age 40, the thought of Jamaica during the WWII years
is near impossible to conjure up: food and gas rations, young men going off to aid the war effort on behalf of the
Empire, all this as the then colony lurched toward self-determination.
Michael A Grant is an advertising executive and lecturer in Advertising and Visual Communication at UWI.
Add to that the growing contest between American and British interests in the Caribbean, which were intensified during
the war as well as in its immediate aftermath, and one has the ingredients of a compelling and little told story.
It is that story, or his own approximation of it, that marketing executive and designer Michael Grant seeks to tell in
his book, Daylight Come. Grant, a child of the Independence period, presents an engaging portrait of the generation that
predeced his, as symbolised by the protagonist, Peter 'Pico' Campbell.
The reader first sees Campbell in two extremes, as a young promising athlete, and then in a 'flash-forward' as an aging
picaresque, hardened by drink and the ravages of his wartime experiences but still holding on, beneath the cynicism to
some vestigal thoughts of his own prowess (both sporting and sexual).
Part wartime suspense thriller, part social studies treatise, part character sketch Daylight evolved out of the author's
mutlifaceted literary and historical interests "I was always drawn more to cultural history than political history," Grant
says in explaining the novel. "My father was a young boy at the height of WWII and I was fascinated about what Jamaican life
would have been like during that time."
For Grant, there is an extent to which characters like 'Pico' Campbell write themselves. "What I sought to do with this story
is to plug an ordinary Jamaican - but one with a burning desire to get out of Jamaica, as indeed many of us have - and place
him in a fanciful situation and have him work his way through it."
Though the book is published on his own Great House Publishing imprint, Grant rebuffs any thought of it being a mere vanity
exercise; "What self-publishing did was give me a greater measure of control, but also a greater measure of responsibility.
I still had it edited and read professionally, and I had friends who were agents that I showed it to who graciously gave me
their unbiased feedback and recommendations.
As a 'Jamerican' (he was educated at top-tier schools in the US and worked in the media and communications indutries in
New York City), Grant believes that Jamaicans and Black Americans should enjoy closer relationships. "There's kind of a
distance, a kind of stand-off that I've observed and it shouldn't be that way. Some of the circumstances may have been
different, but culturally, we have a lot in common."
Daylight Come, in the mold of the folk song that informs its title, is a reflection on a time when, as Grant explains,
the society was less jaded, indeed more innocent than it is today.
His current project cuts across a number of time periods. It is a book about notable Jamaican men, called Changemakers,
along with well-known photographer Peter Ferguson.
Of his own decision, to leave the world of Madison Avenue and writing assignments with the likes of the Wall Street Journal
and the New York Times, to return home, Grant offers this explanation, "I understand what obtains here and I understood that
there was and is a cost to my decision, but I really believed it was time to come home. There is a point at which you can be
making money, but losing value."
Friday, May 19, 2006
Every Little Thing #6
This is one of my earliest credite pieces for the Observer
The Right Moment
-Sudio Art offers a look at the past
I am about midway through a conversation withthe urbane harclyde Walcott of Studio Art when her recalls
that it was one year ago to the day thatthe gallery, the only art gallery dedicated to photography,
opened its doors. "We should have had some wine or something"h e quips, not without a sense of gratification.
Indeed, Walcott, who along with photographer/owner Peter Ferguson, manages the gallery, has good reason to
celebrate. Within that 12-month span, Studio Artneatly tucked in among a plethora of office and commercial
suites along Old Hope Road, has made a clearly discernible impact on a gallery scene almost relentlessly
dominated by apinting
The Right Moment
-Sudio Art offers a look at the past
I am about midway through a conversation withthe urbane harclyde Walcott of Studio Art when her recalls
that it was one year ago to the day thatthe gallery, the only art gallery dedicated to photography,
opened its doors. "We should have had some wine or something"h e quips, not without a sense of gratification.
Indeed, Walcott, who along with photographer/owner Peter Ferguson, manages the gallery, has good reason to
celebrate. Within that 12-month span, Studio Artneatly tucked in among a plethora of office and commercial
suites along Old Hope Road, has made a clearly discernible impact on a gallery scene almost relentlessly
dominated by apinting
Thursday, May 18, 2006
Every Little Thing #5
The metrosexual male: looking good. and proud of it
All Woman writer
Monday, May 08, 2006
All Woman writer Michael A Edwards analyses a new type of modern man, one who gets a kick out of being fashionable
and well-groomed. It takes a certain level of confidence to go to the salon, especially in Jamaica, where 'real men'
don't get mani-pedis and facials or spend a day at a spa being pampered
This is the metrosexual era. As coined in 1994, by English journalist Mark Simpson, the metrosexual is defined as
'a dandyish narcissist in love with not only himself, but his urban lifestyle - a straight man in touch with his
feminine side.'
Thus, detailed personal care practices, from tweezing one's eyebrows to the use of special facial cleansers and
regular manicure-pedicure sessions, even the extensive use of lotion - all thought to be the preserve of the fairer
sex - are now part of the routine for many men. In particular, urban-based, upwardly mobile males are taking greater
care of their appearance.
Rubber Plantation owner Bill Morris (left) gets the full works, while truck company owner Leroy McCalla regrets he can
only come in once a month because at 51 he feels likes 26 after a day in the salon.
Of course, throughout the ages, there have been men noted for their fastidious devotion to proper grooming and personal care,
but the general reaction from their 'non-metro' colleagues and even from some womenfolk was derision. The obvious epithets
were levelled at them. They were 'soft', they were 'gay' and all the rest.
Today personal care for men is now the in thing. Hair, face and nail treatments are a habit for avowedly heterosexual men.
Along with personal care and grooming comes an affinity for social activities like the theatre, music not overwhelmed by a
'riddim' (though metrosexuals also appreciate dancehall and hip-hop and other modern forms).
Oscar nominee Terrence Howard was quoted as saying, "I'm glad we now live in an age where men taking care of themselves is
seen as a good thing." Naturally, critical and commercial success has given Howard access to the A-list among hairdressers
and personal groomers, but one can infer from his remarks that this was a development some time in the making. Others, like
Real Madrid footballer and married father-of-three David Beckham, have sported sarongs, diamond earrings and nail polish.
All Woman writer
Monday, May 08, 2006
All Woman writer Michael A Edwards analyses a new type of modern man, one who gets a kick out of being fashionable
and well-groomed. It takes a certain level of confidence to go to the salon, especially in Jamaica, where 'real men'
don't get mani-pedis and facials or spend a day at a spa being pampered
This is the metrosexual era. As coined in 1994, by English journalist Mark Simpson, the metrosexual is defined as
'a dandyish narcissist in love with not only himself, but his urban lifestyle - a straight man in touch with his
feminine side.'
Thus, detailed personal care practices, from tweezing one's eyebrows to the use of special facial cleansers and
regular manicure-pedicure sessions, even the extensive use of lotion - all thought to be the preserve of the fairer
sex - are now part of the routine for many men. In particular, urban-based, upwardly mobile males are taking greater
care of their appearance.
Rubber Plantation owner Bill Morris (left) gets the full works, while truck company owner Leroy McCalla regrets he can
only come in once a month because at 51 he feels likes 26 after a day in the salon.
Of course, throughout the ages, there have been men noted for their fastidious devotion to proper grooming and personal care,
but the general reaction from their 'non-metro' colleagues and even from some womenfolk was derision. The obvious epithets
were levelled at them. They were 'soft', they were 'gay' and all the rest.
Today personal care for men is now the in thing. Hair, face and nail treatments are a habit for avowedly heterosexual men.
Along with personal care and grooming comes an affinity for social activities like the theatre, music not overwhelmed by a
'riddim' (though metrosexuals also appreciate dancehall and hip-hop and other modern forms).
Oscar nominee Terrence Howard was quoted as saying, "I'm glad we now live in an age where men taking care of themselves is
seen as a good thing." Naturally, critical and commercial success has given Howard access to the A-list among hairdressers
and personal groomers, but one can infer from his remarks that this was a development some time in the making. Others, like
Real Madrid footballer and married father-of-three David Beckham, have sported sarongs, diamond earrings and nail polish.
Tuesday, May 16, 2006
Every Little Thing #4 (of 10)
At Sea... and loving it!
Social
BY MICHAEL EDWARDS Entertainment editor
Sunday, March 05, 2006
JUST getting an unobstructed view (save for the few ships inside the harbour channel)
of the expansive shoreline and cityscape of Kingston was worth getting out on what
would otherwise have been a sleepy Ash Wednesday morning.
The drawing card? Observing the ninth annual SuperClubs yacht race, in which sailboats
wend their way from the Royal Jamaica Yacht Club at Palisadoes and finish at the Morgan's
Harbour pier in Port Royal. It's roughly a two-hour journey by sail, considerably less if
your vessel (as ours, the Hayley Leigh does) depends on gas turbines rather than wind power.
Sailboats wend their way along the course. (Photos: Joseph Wellington)
Eventually, all are back on terra firma, where the fun continues. Lunch, courtesy of Morgan's
Harbour, is complemented by the breezy musical stylings of vocalist Sabrina Williams and accompanist,
Dr Kathy Brown on keybords.
Amid the trophy presentations, presided over by Morgan's Harbour chairman Neville Blythe,
there are creations from Dairy Industries (Tastee Cheese) and refreshments from Ocean Spray.
It's not the first boat back that actually wins, but rather like a motor rally or a golf game,
it's the boat which fares best after its inital time has been adjusted (depending on the handicap).
Social
BY MICHAEL EDWARDS Entertainment editor
Sunday, March 05, 2006
JUST getting an unobstructed view (save for the few ships inside the harbour channel)
of the expansive shoreline and cityscape of Kingston was worth getting out on what
would otherwise have been a sleepy Ash Wednesday morning.
The drawing card? Observing the ninth annual SuperClubs yacht race, in which sailboats
wend their way from the Royal Jamaica Yacht Club at Palisadoes and finish at the Morgan's
Harbour pier in Port Royal. It's roughly a two-hour journey by sail, considerably less if
your vessel (as ours, the Hayley Leigh does) depends on gas turbines rather than wind power.
Sailboats wend their way along the course. (Photos: Joseph Wellington)
Eventually, all are back on terra firma, where the fun continues. Lunch, courtesy of Morgan's
Harbour, is complemented by the breezy musical stylings of vocalist Sabrina Williams and accompanist,
Dr Kathy Brown on keybords.
Amid the trophy presentations, presided over by Morgan's Harbour chairman Neville Blythe,
there are creations from Dairy Industries (Tastee Cheese) and refreshments from Ocean Spray.
It's not the first boat back that actually wins, but rather like a motor rally or a golf game,
it's the boat which fares best after its inital time has been adjusted (depending on the handicap).
Every Little Thing #3
Da Vinci's Jamaican hideaway -
The all-inclusive lifestyle was hardly a thought during the original Renaissance
period, and the famed artist and inventor is long gone. But another type of awakening
has taken place on Jamaica's North Coast in the form of the splendid new-look (and new name)
Sandals Dunn's River Villagio Golf Resort and Spa - the 250-room property that has been given
an "extreme makeover" with very pleasant results.
The rooms are totally remodelled, some with jacuzzi baths and depending on the room category,
couples can each have a big-screen television for themselves. The Oceanview one-bedroom, for
instance, has a king-sized four-poster bed. And the high touch is matched by high tech:
Internet service available in all rooms or, if you wish to keep a check of your bill, you can
hook up to the TV monitor and have your information displayed on the screen
The all-inclusive lifestyle was hardly a thought during the original Renaissance
period, and the famed artist and inventor is long gone. But another type of awakening
has taken place on Jamaica's North Coast in the form of the splendid new-look (and new name)
Sandals Dunn's River Villagio Golf Resort and Spa - the 250-room property that has been given
an "extreme makeover" with very pleasant results.
The rooms are totally remodelled, some with jacuzzi baths and depending on the room category,
couples can each have a big-screen television for themselves. The Oceanview one-bedroom, for
instance, has a king-sized four-poster bed. And the high touch is matched by high tech:
Internet service available in all rooms or, if you wish to keep a check of your bill, you can
hook up to the TV monitor and have your information displayed on the screen
Monday, May 08, 2006
More 'Every little Thing'
The 'First Coming' Of jesus Fuentes
Prior to Sunday, he was essentially unheralded, but amid the breezy confines of the Pegasus hotel gazebo lawn,
Cuban reedman Jesus (that's hey-suss) Fuentes, ably supported by a vibrant (and energised) Jamaican combo, came
pretty close tro the miraculous and left a distinct feeling that there was hope for live improvised music.
With an unassuming yet self-assured air, he began, on tenor sax with classic bop in the form of Miles Davis'
Tune Up, and it proved entirely appropriate in light of what was to come.
Of the jazz standards, few lend themselves to soaring solos and intense group collaboration like Dizzy Gillespie's
A Night in Tunisia. Fuentes took off from the get-go, circular breathing and all, and the crackerjack band, realising
they were in the presence of a monster player, also caught fire. An intuitive and emotional player, Seretse Small
delivered his most intense yet nuanced playing on guitar in quite some time, as did guest percussionist Ouida Lewis
(who had earlier drummed and tapped her way into the audience's hearts in a solo stint). Matching them -sometimes
phrase for phrase, were Ozouni, with his soulful, percussive 'Monk-meets-Liberace' keyboard style, drummer Wendell
Lawrence (rapidly growing into one of the best) and bassist Carl Gibson. In essence, the group took what had to
that point been an unquestionably good show into the realm of greatness.
More transcendence would follow with their rendition of Latin master Chucho Valdes' sinuous Mambo Influencial and by
the time he donned the soprano sax for the whimsical Cubanito ( 'little Cuban', inspired by his young son) Fuentes
left no doubt that he is deserving of a return engagement.
Prior to Sunday, he was essentially unheralded, but amid the breezy confines of the Pegasus hotel gazebo lawn,
Cuban reedman Jesus (that's hey-suss) Fuentes, ably supported by a vibrant (and energised) Jamaican combo, came
pretty close tro the miraculous and left a distinct feeling that there was hope for live improvised music.
With an unassuming yet self-assured air, he began, on tenor sax with classic bop in the form of Miles Davis'
Tune Up, and it proved entirely appropriate in light of what was to come.
Of the jazz standards, few lend themselves to soaring solos and intense group collaboration like Dizzy Gillespie's
A Night in Tunisia. Fuentes took off from the get-go, circular breathing and all, and the crackerjack band, realising
they were in the presence of a monster player, also caught fire. An intuitive and emotional player, Seretse Small
delivered his most intense yet nuanced playing on guitar in quite some time, as did guest percussionist Ouida Lewis
(who had earlier drummed and tapped her way into the audience's hearts in a solo stint). Matching them -sometimes
phrase for phrase, were Ozouni, with his soulful, percussive 'Monk-meets-Liberace' keyboard style, drummer Wendell
Lawrence (rapidly growing into one of the best) and bassist Carl Gibson. In essence, the group took what had to
that point been an unquestionably good show into the realm of greatness.
More transcendence would follow with their rendition of Latin master Chucho Valdes' sinuous Mambo Influencial and by
the time he donned the soprano sax for the whimsical Cubanito ( 'little Cuban', inspired by his young son) Fuentes
left no doubt that he is deserving of a return engagement.
Every Little Thing
Excerpts from articles published in the Observer
Glory to Glorianna movie
No Glory, No Grace
Self-promotion notwithstanding, the Gloria Minto profiled in the pages of this newspaper as one of the 2005 Business Leader nominees is a model of determination, resourcefulness and a certain noble striving for economic and social mobility against the formidable odds of social and gender prejudices and poverty.
That Gloria is largely absent from this production (the movie is said to take its cues from Minto's own memoirs, From Glory to Glorianna) and therein lies its downfall.
What the viewer gets instead is a kind of Royal Palm Unbound (the common players between both projects is not the basis for this assessment, but in some ways it doesn't help) with even less restraint than the already profligate and admittedly popular television series.
The feature begins with a party at the poolside of Hotel Gloriana and Spa, the heroine's crowning achievement. There, amid the paces of a reggae band and tedious close-ups of the copious food and drink on offer, Gloria reunites with 'childhood friend' Precious (more on her later) and the two repair to Gloria's pad for some reminiscing.
This is the vehicle through which the story is told, beginning with little Gloria, meeting her life's inspiration, Anna (who then goes 'poof' until the very end of the film), and losing her father (who 're-appears' at odd junctures with cloying doses of self-help verbiage) in quick succession.
Fast-forward to the teen Gloria, who is bewitched (our only conclusion) by Milton, the prototypical village ram, whose idea of a great first date is a drink and a dance at the local go-go bar.
After such an outstanding proposition, it's an entirely logical progression: they have sex, this time in the nearby river, and Gloria becomes pregnant. All of which greatly angers Betsy, Milton's former - and future - regular gig.
The main premise thus established at this point, the film gives us one more solid look at Gloria the entrepreneur and would-be success story when she decides to go into the Montego Bay market to sell oranges.
http://jamaicaobserver.com/lifestyle/html/20060503t000000-0500_103817_obs_no_glory__no_grace.asp
Glory to Glorianna movie
No Glory, No Grace
Self-promotion notwithstanding, the Gloria Minto profiled in the pages of this newspaper as one of the 2005 Business Leader nominees is a model of determination, resourcefulness and a certain noble striving for economic and social mobility against the formidable odds of social and gender prejudices and poverty.
That Gloria is largely absent from this production (the movie is said to take its cues from Minto's own memoirs, From Glory to Glorianna) and therein lies its downfall.
What the viewer gets instead is a kind of Royal Palm Unbound (the common players between both projects is not the basis for this assessment, but in some ways it doesn't help) with even less restraint than the already profligate and admittedly popular television series.
The feature begins with a party at the poolside of Hotel Gloriana and Spa, the heroine's crowning achievement. There, amid the paces of a reggae band and tedious close-ups of the copious food and drink on offer, Gloria reunites with 'childhood friend' Precious (more on her later) and the two repair to Gloria's pad for some reminiscing.
This is the vehicle through which the story is told, beginning with little Gloria, meeting her life's inspiration, Anna (who then goes 'poof' until the very end of the film), and losing her father (who 're-appears' at odd junctures with cloying doses of self-help verbiage) in quick succession.
Fast-forward to the teen Gloria, who is bewitched (our only conclusion) by Milton, the prototypical village ram, whose idea of a great first date is a drink and a dance at the local go-go bar.
After such an outstanding proposition, it's an entirely logical progression: they have sex, this time in the nearby river, and Gloria becomes pregnant. All of which greatly angers Betsy, Milton's former - and future - regular gig.
The main premise thus established at this point, the film gives us one more solid look at Gloria the entrepreneur and would-be success story when she decides to go into the Montego Bay market to sell oranges.
http://jamaicaobserver.com/lifestyle/html/20060503t000000-0500_103817_obs_no_glory__no_grace.asp
Wednesday, March 01, 2006
music wrap
The past weekend wasa good one for music and for Jamaican musicians
On Friday, in fronto of the historic Devon hOuse mansion, guitarist
Maurice Gordon led a smokin' quartet in support of an equally
smokin' featured act,. Francine Reed out of the US. with Gordon
were COurntey Sinclair on keyboards, Glen Browne on electric bass
and Tony 'Ruption' Williams on drums (approrpiate)
Also excellent on that show were singer Myrna Hague and the
Jmaaica Big band, led by by Sonny Bradshaw
On Sunday, pianist/keyboardist Kathy Brown had with her Desi Jones
on drums, Aeon Hoilett on bass, Denver Smith on percussion and
Seretse Small on guitar. The band stole the show from the
featured vocal acts
On Friday, in fronto of the historic Devon hOuse mansion, guitarist
Maurice Gordon led a smokin' quartet in support of an equally
smokin' featured act,. Francine Reed out of the US. with Gordon
were COurntey Sinclair on keyboards, Glen Browne on electric bass
and Tony 'Ruption' Williams on drums (approrpiate)
Also excellent on that show were singer Myrna Hague and the
Jmaaica Big band, led by by Sonny Bradshaw
On Sunday, pianist/keyboardist Kathy Brown had with her Desi Jones
on drums, Aeon Hoilett on bass, Denver Smith on percussion and
Seretse Small on guitar. The band stole the show from the
featured vocal acts
Thursday, February 23, 2006
Jazzofonik in the Gardens
the sound system makes its jazz in the Gardens debut this Sunday (Feb 26)
on the back lawns of the Jamaica Pegasus hotel.
The bill laso features Rosemary Phillips out of Barbados, actor-
comedian Bobby Smith, singer Sabrina Williams and Maurice
'Lady Love' Charles in a psecial tribute to the late Lou Rawls
part of a busy live weekend that also includes jazz-blues
vocalist Francine Reed in cocnert at Devon House east lawn
alongside Maurice Gordon and the Sonny Bradshaw Big Band
on the back lawns of the Jamaica Pegasus hotel.
The bill laso features Rosemary Phillips out of Barbados, actor-
comedian Bobby Smith, singer Sabrina Williams and Maurice
'Lady Love' Charles in a psecial tribute to the late Lou Rawls
part of a busy live weekend that also includes jazz-blues
vocalist Francine Reed in cocnert at Devon House east lawn
alongside Maurice Gordon and the Sonny Bradshaw Big Band
Saturday, February 04, 2006
Al Green
The recent Air jamaica Jazz and Blues festival had little jazz or blues (notwithstanding Bo Diddley) but it did have a whole laot of soul, thanks to Rev Al Green, seen here belting it out on Friday night (Jan 27)
Al Green
The recent Air jamaica Jazz and Blues festival had little jazz or blues (notwithstanding Bo Diddley) but it did have a whole laot of soul, thanks to Rev Al Green, seen here belting it out on Friday night (Jan 27)
Welcome Tommy Hoeg Quartet
after much deliberations, we can say Welcome to Jamaica to the
Tommy Hoeg Quartet featuring Sinne Eeg, all the way from Denmark
The group will be doing an umber of shows at spots around the island
through February 12. Will post highlights the following week.
Tommy Hoeg Quartet featuring Sinne Eeg, all the way from Denmark
The group will be doing an umber of shows at spots around the island
through February 12. Will post highlights the following week.
Monday, January 30, 2006
Maurice Gordon Trio
featuring:
MAURICE GORDON :guitar
Dale Haslam : bass
Desi Jones: drums
THE MAURICE GORDON TRIO returns to the local scene with "JAZZ JAM 2006" on Thursday February 9th, 2006 with special
guest saxophonist MICHAEL "BAMMIE" ROSE. The show will be in the School of Music Auditorium 1 Authur Wint Drive at the
Edna Manley College starting at 8:00 p.m.
The trio features Gordon on guitar with Desi Jones on drums and Dale Haslam on bass. Gordon is currently Head of the Guitar
and Strings Department at the School of Music along with special responsibilities for Jazz. He tutors modern guitar and
electric bass, improvisation and Harmony and Arranging. Gordon and Bammie will also be doing a Jazz Improvisation Workshop
on Tuesday February 7th at the School at 1:p.m.
Reedman Michael "Bammie" Rose is no stranger to Jamaica as he has been making a annual trek to Jamaica with his wife for the
last 4 years. He is a wonderful musician whom is active on the British scene where he has been a resident since the sixties.
Throughout his career he has recorded and performed with Jazz Jamaica, Courtney Pine, Jules Holland and his Rhythm and Blues
Orchestra, Aswad, Alton Ellis and many more.
He has also performed with South African musicians Hugh Masakela and Dudu Pukwana. Bammie has one album to his credit which
is called "REGGAE BEBOP". His repertoire includes a wide selection of jazz standards and Jamaican melodies on the tenor saxophone
and flute.
This is the first in a series which Gordon hopes to do at the School Of Music with his group and students groups. He recently
staged Jazz in the Round in December which was a student performance exam and concert. The next Jazz in the Round will be in March.
It is hope that the school and the students will benefit from the concerts and workshops. As well, a part of proceeds from the
concerts will go torwards the purchase of books for the department. The Maurice Gordon Trio will playing standards and original
compositions by Gordon. Surprise guests sometimes appear throughout the evening.
MAURICE GORDON :guitar
Dale Haslam : bass
Desi Jones: drums
THE MAURICE GORDON TRIO returns to the local scene with "JAZZ JAM 2006" on Thursday February 9th, 2006 with special
guest saxophonist MICHAEL "BAMMIE" ROSE. The show will be in the School of Music Auditorium 1 Authur Wint Drive at the
Edna Manley College starting at 8:00 p.m.
The trio features Gordon on guitar with Desi Jones on drums and Dale Haslam on bass. Gordon is currently Head of the Guitar
and Strings Department at the School of Music along with special responsibilities for Jazz. He tutors modern guitar and
electric bass, improvisation and Harmony and Arranging. Gordon and Bammie will also be doing a Jazz Improvisation Workshop
on Tuesday February 7th at the School at 1:p.m.
Reedman Michael "Bammie" Rose is no stranger to Jamaica as he has been making a annual trek to Jamaica with his wife for the
last 4 years. He is a wonderful musician whom is active on the British scene where he has been a resident since the sixties.
Throughout his career he has recorded and performed with Jazz Jamaica, Courtney Pine, Jules Holland and his Rhythm and Blues
Orchestra, Aswad, Alton Ellis and many more.
He has also performed with South African musicians Hugh Masakela and Dudu Pukwana. Bammie has one album to his credit which
is called "REGGAE BEBOP". His repertoire includes a wide selection of jazz standards and Jamaican melodies on the tenor saxophone
and flute.
This is the first in a series which Gordon hopes to do at the School Of Music with his group and students groups. He recently
staged Jazz in the Round in December which was a student performance exam and concert. The next Jazz in the Round will be in March.
It is hope that the school and the students will benefit from the concerts and workshops. As well, a part of proceeds from the
concerts will go torwards the purchase of books for the department. The Maurice Gordon Trio will playing standards and original
compositions by Gordon. Surprise guests sometimes appear throughout the evening.
Wednesday, January 11, 2006
New year
yes, its already 11 days old, but not too late to say happy new
year to friends of this blog.
Lots of developments as ireferred to in my last msg.
Most notably, the jazzofonik X-perience is no longer at
The Deck. More on that soon.
The first jazz in the Gardens for the year was a disappointment
see my review in the Jamaica Observer(jamaicaobserver.com)...
...of which i am now Entertainment Editor (since Dec 01 2005)
Air jamaica jazz & blues coming up - nestor Torres
Bo Diddley among the now customeary battery of R& B pop
stars past and current. Stay tuned for more.
Links
year to friends of this blog.
Lots of developments as ireferred to in my last msg.
Most notably, the jazzofonik X-perience is no longer at
The Deck. More on that soon.
The first jazz in the Gardens for the year was a disappointment
see my review in the Jamaica Observer(jamaicaobserver.com)...
...of which i am now Entertainment Editor (since Dec 01 2005)
Air jamaica jazz & blues coming up - nestor Torres
Bo Diddley among the now customeary battery of R& B pop
stars past and current. Stay tuned for more.
Links
Thursday, December 22, 2005
Merry Christmas - don't despair
Thanks to computer problems, this is my first post in many weeks.
Odd yet pleasant that it comes just in time for me to wish
all of you a Christmas season filled with joy, love and peace.
A lot has happened in the last quarter of the year, but God -
and technology -willing, I'll return full force in January.
havea happy New Year
jazzofonik Lives!
Links
Odd yet pleasant that it comes just in time for me to wish
all of you a Christmas season filled with joy, love and peace.
A lot has happened in the last quarter of the year, but God -
and technology -willing, I'll return full force in January.
havea happy New Year
jazzofonik Lives!
Links
Saturday, November 19, 2005
JAZZOFONIK LIVE - NOV 23
First in series Wednesday Nite Out
happens this Wednesday (Nov 23) at the Deck
beginning at 8:00 p.m. featuring Desi Jones
& Friends and special guest Tessann Chin
Cover charge: $500
Recorded selections throughout
by the Jazzofonik X-perience
happens this Wednesday (Nov 23) at the Deck
beginning at 8:00 p.m. featuring Desi Jones
& Friends and special guest Tessann Chin
Cover charge: $500
Recorded selections throughout
by the Jazzofonik X-perience
Tuesday, November 01, 2005
Rootz Underground @ Red Bones
Jamaican band Rootz Underground Movement will
perform at Red Bones blues cafe in Kingston
The band is also in the running to represent
Jamaica in the Global Battle of the Bands
in London, England in December.
perform at Red Bones blues cafe in Kingston
The band is also in the running to represent
Jamaica in the Global Battle of the Bands
in London, England in December.
Friday, October 28, 2005
Rhythm n' Spice postponed
the Rhythm n' Spice Food & Music Festival, scheduled for
Nov 3 through 5 has been posponed until "early 2006"
the organizers say. The festival was part of an overall project
twinning the citiies of Montego Bay(Jamaica) and New Orleans.
Set to have appeared on the bill wee well known New Orleans
trumpeters kermit Ruffins and Irvin Mayfield as well as the
Rebirth Brass Band and an equally strong and diverse
jamaican lineup.
This as the island braces for yet more rain as this seemingly
endless tropical storm season continues to flex its muscles.
Nov 3 through 5 has been posponed until "early 2006"
the organizers say. The festival was part of an overall project
twinning the citiies of Montego Bay(Jamaica) and New Orleans.
Set to have appeared on the bill wee well known New Orleans
trumpeters kermit Ruffins and Irvin Mayfield as well as the
Rebirth Brass Band and an equally strong and diverse
jamaican lineup.
This as the island braces for yet more rain as this seemingly
endless tropical storm season continues to flex its muscles.
Tuesday, October 25, 2005
"Sonny & Foggy" for Jazz in the Gardens
The Jazz in the Gardens continues at the Pegasus Hotel and
this edition, scheduled for October 30, features the return of
two of the true elder statesmen of Jamaican jazz.
Instrumentalist/composer/bandleader/journalist
Sonny Bradshaw will grace the gazebo, as will
former Government minister, diplomat and
inveterate jazz pianist Seymour "Foggy" Mullings.
The event will also feature another multiple talent,
broadcaster/actor/musicologist Charles Hyatt, as
well as newer vocalist Candi and CD spins
courtesy of Keith Brown. Showtime 6:pm
this edition, scheduled for October 30, features the return of
two of the true elder statesmen of Jamaican jazz.
Instrumentalist/composer/bandleader/journalist
Sonny Bradshaw will grace the gazebo, as will
former Government minister, diplomat and
inveterate jazz pianist Seymour "Foggy" Mullings.
The event will also feature another multiple talent,
broadcaster/actor/musicologist Charles Hyatt, as
well as newer vocalist Candi and CD spins
courtesy of Keith Brown. Showtime 6:pm
Wednesday, October 19, 2005
Iron Lions update
The next excerpt from the book (You remember it, don't you?)
Should be posted on Friday. A taxing combination of computer
problems and just plain oold busyness nearly KO'd it
but Iron Lions will return soon.
Should be posted on Friday. A taxing combination of computer
problems and just plain oold busyness nearly KO'd it
but Iron Lions will return soon.
Jazzofonik Live Nov 16
Still struggling towards a live showcase at the Deck
it now looks like November16 will be our start date
Headliner likely Tessann Chin, along with Desi Jones
& friends as well as upcoming artists M, Ouida Lewis
and Kevin Bonfield and Michael Andrew.
Confirmation soon (I think :-)]
it now looks like November16 will be our start date
Headliner likely Tessann Chin, along with Desi Jones
& friends as well as upcoming artists M, Ouida Lewis
and Kevin Bonfield and Michael Andrew.
Confirmation soon (I think :-)]
Saturday, October 15, 2005
2000+
Again thanks to many visitors and posters (repeaters especially) who
are ushing the counter on this blog, as we steam past 2000
and towards 3000 visitors - this in a crowded web field and with
a mere 15 months under our belt.
God's good
are ushing the counter on this blog, as we steam past 2000
and towards 3000 visitors - this in a crowded web field and with
a mere 15 months under our belt.
God's good
Nawlinz Stars come to Jamaica
In katrina's wake and the recovery/reconstruction effort in New Orleans,
the Rhythm &Spice Music and Food Festival will join the cities
of New Orleans and Montego Bay from November 3through 6.
Featurd musical acts include Irvin Mayfield, Kermit Ruffins and Rebirth
Brass Brand as wellas Jamaican superstars Third World and up and
comers C-Sharp. The main concert happens Sat. November 6 at
the Montego Cruise Port terminal, but the musicians will
jam at various points along the famed Mobay Hip Strip throughout
the event.
New Orleans mayor Ray Nagin has given a provsional commitment
to attendng the event, which is the joint brainchild of Ernest Collins,
head of the CIty of New Orleans Arts Department and Jamaican
hotelier/entrepreneur Horace Peterkin
the Rhythm &Spice Music and Food Festival will join the cities
of New Orleans and Montego Bay from November 3through 6.
Featurd musical acts include Irvin Mayfield, Kermit Ruffins and Rebirth
Brass Brand as wellas Jamaican superstars Third World and up and
comers C-Sharp. The main concert happens Sat. November 6 at
the Montego Cruise Port terminal, but the musicians will
jam at various points along the famed Mobay Hip Strip throughout
the event.
New Orleans mayor Ray Nagin has given a provsional commitment
to attendng the event, which is the joint brainchild of Ernest Collins,
head of the CIty of New Orleans Arts Department and Jamaican
hotelier/entrepreneur Horace Peterkin
Thursday, October 13, 2005
Nawlinz Stars for Mobay
In the wake of katrina, the world is reaching out to
New Orleans and to New Orleans jazz artists.
Latest effort is Rhythm & Spice Fest, set for Nov 2-5
in Montego Bay. Food and music showcase will feature
talents of trumpeters Kermit Ruffins, Irvin Mayfield
and Rebirth Brass Band alongside Jamaican reggae acts
such as Third World, C-Sharp, and Roots Underground
at various venues in the Second City
New Orleans mayor Ray Nagin has given a provisional
commitment to attend the event.
New Orleans and to New Orleans jazz artists.
Latest effort is Rhythm & Spice Fest, set for Nov 2-5
in Montego Bay. Food and music showcase will feature
talents of trumpeters Kermit Ruffins, Irvin Mayfield
and Rebirth Brass Band alongside Jamaican reggae acts
such as Third World, C-Sharp, and Roots Underground
at various venues in the Second City
New Orleans mayor Ray Nagin has given a provisional
commitment to attend the event.
John Legend for Air J Jazz
John Legend added to Air Jamaica Jazz and Blues Lineup
The three day Air Jamaica Jazz and Blues Festival 2006: The
Art of Music, transforms the picturesque Rose Hall Resort
and Country Club in Montego Bay from Thursday, January
26 through to Saturday, January 28 next year. Well known
for world class production values, a selection of leading
yet diverse acts and an unparalleled comfort atmosphere,
the ninth staging of the Festival is expected to supersede
previous expectations.
Legend's album, Get Lifted, is his "major label debut album
on Columbia Records. On the album, he shows his dynamism
of fusing "classic old school soul music with the edgy flavor
of 21st century hip-hop." Although he is new to the scene as
a solo artiste, this unique and multi-talented artiste, has
recently been nominated for four (4) VIBE Awards. Last
month, he collected the MOBO Award for Best R&B Artist.
Already confirmed for the festival are Shaggy, Al Green, KEM,
Maxi Priest, Morgan Heritage, James Ingram, Air Supply
and many more!
The three day Air Jamaica Jazz and Blues Festival 2006: The
Art of Music, transforms the picturesque Rose Hall Resort
and Country Club in Montego Bay from Thursday, January
26 through to Saturday, January 28 next year. Well known
for world class production values, a selection of leading
yet diverse acts and an unparalleled comfort atmosphere,
the ninth staging of the Festival is expected to supersede
previous expectations.
Legend's album, Get Lifted, is his "major label debut album
on Columbia Records. On the album, he shows his dynamism
of fusing "classic old school soul music with the edgy flavor
of 21st century hip-hop." Although he is new to the scene as
a solo artiste, this unique and multi-talented artiste, has
recently been nominated for four (4) VIBE Awards. Last
month, he collected the MOBO Award for Best R&B Artist.
Already confirmed for the festival are Shaggy, Al Green, KEM,
Maxi Priest, Morgan Heritage, James Ingram, Air Supply
and many more!
Wednesday, October 12, 2005
Red Bones Events
RED BONES EVENTS CALENDAR
FRIDAY OCT. 14TH BAND (BLACK ZEBRA) WITH
MARK PRITCHETT,
9PM WAYNE MCGREGOR, RICHIE CUNNINGHAM
, DALE BROWN
$300
FRIDAY OCT. 21ST BAND (LLAMA) GERD BEYENS
-GUITAR, DOUGAL CLARKE
9PM BASS, RICHIE CUNNINGHAM-PERCUSSION,
FITZROY
$400 BENNETT-GUITAR
FRIDAY OCT. 28TH BAND (SERETSE
& THE TRUE DEMOCRATS)
9PM “SEX FOR THE EAR & THE MIND”
$500
all admission fees in Jamaican dollars
FRIDAY OCT. 14TH BAND (BLACK ZEBRA) WITH
MARK PRITCHETT,
9PM WAYNE MCGREGOR, RICHIE CUNNINGHAM
, DALE BROWN
$300
FRIDAY OCT. 21ST BAND (LLAMA) GERD BEYENS
-GUITAR, DOUGAL CLARKE
9PM BASS, RICHIE CUNNINGHAM-PERCUSSION,
FITZROY
$400 BENNETT-GUITAR
FRIDAY OCT. 28TH BAND (SERETSE
& THE TRUE DEMOCRATS)
9PM “SEX FOR THE EAR & THE MIND”
$500
all admission fees in Jamaican dollars
Tuesday, October 04, 2005
TLCdrum
I have, as you may guess, a weakness for drummers, and fro feamle drummers in particular. Following on Cindy Blackman, here's drum prodigy Terri Lynne Carrington, from her own site. [Susie Ibarra and Allison Miller, watch out :-) ]
Monday, October 03, 2005
More Air J Line up
In addition to AL Green and Kne O Chaw Hampton, the 2006
renewal of the Air Jamaica Jazz & Blues Festival
in Montego Bay will also boast the presence of
James Ingram nad regaae-pop superstar Shaggy.
The music fest returns to the Cinnamon Hill Golf Course
opposite the Wyndham Rose Hall resort inthe
secodn city.
renewal of the Air Jamaica Jazz & Blues Festival
in Montego Bay will also boast the presence of
James Ingram nad regaae-pop superstar Shaggy.
The music fest returns to the Cinnamon Hill Golf Course
opposite the Wyndham Rose Hall resort inthe
secodn city.
Wednesday, September 28, 2005
Jazzofonik Live line-up cl;ose to final
the final line up for the first jazzopfonik Live at the Deck
is almost ready. Singer Keisha patterson and painist Dr.
Kathy Brown have agreed.
Final line up in one week
is almost ready. Singer Keisha patterson and painist Dr.
Kathy Brown have agreed.
Final line up in one week
Thursday, September 22, 2005
Ena
We're not familiar with her (there are more Jamaicans outside of than inside Jamaica) but our newest jazzhedz member, fstop45, says Ena is from Jamaica. More power to them both. Check fstop's cool jazz and travel pics at jazzhedz
Wednesday, September 21, 2005
September to Remember
Jazzofonik X-perience is among those remembering the music of
two jazz giants who have separate anniversaries in September.
Had they lived, Miles Davis and John Coltrane would each be
celebrating their 79th birthday this year(Davis was actually
born April 11, 1926). The month of September brings a unique
opportunity to comemorate these two giants of jazz. On September
28, 1991, Miles Davis died, officially of complications from a
stroke and pnuemonia, but known to be the final outcome of years
of hard living, fuelled at various times by drug addiction.
Coltrane, (born Septemebr 23, 1926), who also had his problems
with heroin and alcohol, died July 17, 1967 of liver cancer.
Davis will be the subject of Music for Miles" a special tribute CD
party at The Deck, on September 21 and againon September 28, beginning
at 7:30p.m. each Wednesday. "The Trane Comes Round Again" will
specially pay tribute COltrane on those two dates
In addition to Kind of Blue, which featured Jamaican-born Wynton Kelly on piano, Davis is best known for the album Bitches Brew (1970) which marked one of the most successful examples of fusing jazz with rock and funk stylings. His instrumental cover of the Michael Jackson hit, "Human Nature" is also popular. His last recorded album, Doo-Bop (1992) was produced by a hip-hop artist and found Davis experimenting yet again with fusing jazz with modern rhythms.
Coltrane’s best-known works as a leader include Giant Steps, A Love Supreme and the Live at the Village Vanguard series, recorded at the renowned New York jazz club (still going strong). His re-working of the Rodgers/Hammerstein song "My Favourite Things" (from the soundtrack to the Sound of Music) became an almost instant jazz standard.
two jazz giants who have separate anniversaries in September.
Had they lived, Miles Davis and John Coltrane would each be
celebrating their 79th birthday this year(Davis was actually
born April 11, 1926). The month of September brings a unique
opportunity to comemorate these two giants of jazz. On September
28, 1991, Miles Davis died, officially of complications from a
stroke and pnuemonia, but known to be the final outcome of years
of hard living, fuelled at various times by drug addiction.
Coltrane, (born Septemebr 23, 1926), who also had his problems
with heroin and alcohol, died July 17, 1967 of liver cancer.
Davis will be the subject of Music for Miles" a special tribute CD
party at The Deck, on September 21 and againon September 28, beginning
at 7:30p.m. each Wednesday. "The Trane Comes Round Again" will
specially pay tribute COltrane on those two dates
In addition to Kind of Blue, which featured Jamaican-born Wynton Kelly on piano, Davis is best known for the album Bitches Brew (1970) which marked one of the most successful examples of fusing jazz with rock and funk stylings. His instrumental cover of the Michael Jackson hit, "Human Nature" is also popular. His last recorded album, Doo-Bop (1992) was produced by a hip-hop artist and found Davis experimenting yet again with fusing jazz with modern rhythms.
Coltrane’s best-known works as a leader include Giant Steps, A Love Supreme and the Live at the Village Vanguard series, recorded at the renowned New York jazz club (still going strong). His re-working of the Rodgers/Hammerstein song "My Favourite Things" (from the soundtrack to the Sound of Music) became an almost instant jazz standard.
Tuesday, September 20, 2005
Teen Star, Soul Vet for Air J Jazz
Among the names being bandied baout for the 2006 renewal
of the Air Jamaica Jazz 7Blues festival in Montego Bay
are pianist and teen jazz sensation Kne O' Chaw Hampton
and soul veteran Al Green
Kne-O'Chaw is a female jazz pianist and student attending the Levitt Visual and Performing Arts School in Willingboro, NJ, where she was a member of the school's Jazz Band. Kne-O'Chaw has been performing on stage for more than 3 years. She composes and arranges some of her original songs, which she performs in her shows. She does perform copy material, mostly old jazz standards. She plays classical, gospel and R&B as well. Kne-O'Chaw has been training for five years in classical and jazz piano with her personal instructor Christine Boyd of Willingboro, NJ. Her first CD "The Other Side of Town" retailed in Tower Records, Borders and The Music Factory. She also made a guest appearance on a local Philadelphia Radio Gospel talk show to promote her CD.
Green, as most should know is a proven hitmaker and performer, behind such classics as "Let's Stay Together" and "How Do You Mend (A Broekn Heart)?" that have been covered many times over.
in 2004, Green signed to Blue note records and has since relased 2 albums on that label.
of the Air Jamaica Jazz 7Blues festival in Montego Bay
are pianist and teen jazz sensation Kne O' Chaw Hampton
and soul veteran Al Green
Kne-O'Chaw is a female jazz pianist and student attending the Levitt Visual and Performing Arts School in Willingboro, NJ, where she was a member of the school's Jazz Band. Kne-O'Chaw has been performing on stage for more than 3 years. She composes and arranges some of her original songs, which she performs in her shows. She does perform copy material, mostly old jazz standards. She plays classical, gospel and R&B as well. Kne-O'Chaw has been training for five years in classical and jazz piano with her personal instructor Christine Boyd of Willingboro, NJ. Her first CD "The Other Side of Town" retailed in Tower Records, Borders and The Music Factory. She also made a guest appearance on a local Philadelphia Radio Gospel talk show to promote her CD.
Green, as most should know is a proven hitmaker and performer, behind such classics as "Let's Stay Together" and "How Do You Mend (A Broekn Heart)?" that have been covered many times over.
in 2004, Green signed to Blue note records and has since relased 2 albums on that label.
Friday, September 16, 2005
Fatheadin DETROIT
Some sad news came our way recently cocnerning legendary sax (and flute) man David Fathead Newman - he broke his hip in an accident. But fortunately, Fathead had surgery and is reportedly recovering. Here's a shot of him form the Detroit Jazz Fest earlier this month, from Dr. Jazz
Thursday, September 15, 2005
the X-panding X-perience
Beginning Friday (Sep 16) the Jazzofonik X-perience expands
to two additional venues. On Friday, the jazz sound system
begins a new engagement at the Senior Common Room of the
University of the West Indies at Mona,
Then on Tuesday evenings, the X-perience moves to the recently
opened Flame lounge (formerly Andy's Place) in the Twin Gates Plaza.
The Wednesday nite Jazzofonik @ the Deck X-perience continues,
with Oct 19 set as the new start date for Jazzofonik Live. more
details in a week
to two additional venues. On Friday, the jazz sound system
begins a new engagement at the Senior Common Room of the
University of the West Indies at Mona,
Then on Tuesday evenings, the X-perience moves to the recently
opened Flame lounge (formerly Andy's Place) in the Twin Gates Plaza.
The Wednesday nite Jazzofonik @ the Deck X-perience continues,
with Oct 19 set as the new start date for Jazzofonik Live. more
details in a week
Henry Hits Brooklyn
Nicole Henry will perform a concert as part of the “Brooklyn
Sings, Brooklyn Swings” Concert Series in the Brooklyn Public
Library, 1 Grand Army Plaza, on Thursday, September 22 at 7:00pm.
Making use of the library's 7-foot grand piano, Nicole and her trio
will open this 3-month series with selections from her two chart
-topping CD releases and other timeless standards. Named “Best
New Jazz Artist of 2004” by HMV/Japan, Henry has just returned
from Korea and Japan on tour with the Eddie Higgins Trio. While
in Japan, Nicole performed at the Tendo Jazz Festival sharing
the bill with artists such as Nicholas Payton and Eric Alexander.
Other September performances include:
Friday 9/16 - Miami Beach Ritz-Carlton Lapidus Lounge Sunday
9/18 - Miami Beach - Emeril’s Sunday Brunch Monday 9/19 -
Orlando, FL - Katrina Relief Fundraiser 9/21 & 9/23 -
Washington, D.C. Performances for The Congressional
Black Caucus Saturday 9/24 - Savannah, GA – Blues, Boogie & Bar BQ
Sings, Brooklyn Swings” Concert Series in the Brooklyn Public
Library, 1 Grand Army Plaza, on Thursday, September 22 at 7:00pm.
Making use of the library's 7-foot grand piano, Nicole and her trio
will open this 3-month series with selections from her two chart
-topping CD releases and other timeless standards. Named “Best
New Jazz Artist of 2004” by HMV/Japan, Henry has just returned
from Korea and Japan on tour with the Eddie Higgins Trio. While
in Japan, Nicole performed at the Tendo Jazz Festival sharing
the bill with artists such as Nicholas Payton and Eric Alexander.
Other September performances include:
Friday 9/16 - Miami Beach Ritz-Carlton Lapidus Lounge Sunday
9/18 - Miami Beach - Emeril’s Sunday Brunch Monday 9/19 -
Orlando, FL - Katrina Relief Fundraiser 9/21 & 9/23 -
Washington, D.C. Performances for The Congressional
Black Caucus Saturday 9/24 - Savannah, GA – Blues, Boogie & Bar BQ
Tuesday, September 13, 2005
Congrats [NEA] Jazz Masters
National Endowment for the Arts Chairman Dana Gioia today
announced that seven living legends of American music will
join the ranks of the National Endowment for the Arts Jazz
Masters.
The seven new NEA Jazz Masters are Ray Barretto (percussionist)
,Tony Bennett (vocalist), Bob Brookmeyer (arranger-composer),
Chick Corea (keyboardist), Buddy DeFranco (solo instrumentalist, clarinet), Freddy Hubbard (solo instrumentalist, trumpet), and
John Levy (A.B. Spellman NEA Jazz Masters Award for Jazz Advocacy,
for his career as a manager).
Initiated in 1982, the NEA Jazz Master title is the nation's
highest honor in jazz. In addition to the coveted designation,
each member of the Class of 2006 will receive a fellowship award
of $25,000 and be invited to participate in outreach efforts,
including broadcasts and NEA Jazz Masters On Tour.
The NEA Jazz Master Award is part of the NEA Jazz Masters
Initiative and is sponsored by Verizon. Through its support
of this initiative, Verizon continues its tradition of
supporting quality musical entertainment and education across
the U.S.
announced that seven living legends of American music will
join the ranks of the National Endowment for the Arts Jazz
Masters.
The seven new NEA Jazz Masters are Ray Barretto (percussionist)
,Tony Bennett (vocalist), Bob Brookmeyer (arranger-composer),
Chick Corea (keyboardist), Buddy DeFranco (solo instrumentalist, clarinet), Freddy Hubbard (solo instrumentalist, trumpet), and
John Levy (A.B. Spellman NEA Jazz Masters Award for Jazz Advocacy,
for his career as a manager).
Initiated in 1982, the NEA Jazz Master title is the nation's
highest honor in jazz. In addition to the coveted designation,
each member of the Class of 2006 will receive a fellowship award
of $25,000 and be invited to participate in outreach efforts,
including broadcasts and NEA Jazz Masters On Tour.
The NEA Jazz Master Award is part of the NEA Jazz Masters
Initiative and is sponsored by Verizon. Through its support
of this initiative, Verizon continues its tradition of
supporting quality musical entertainment and education across
the U.S.
Wednesday, September 07, 2005
"Iron Lions" saga continues
Finallly found notes. Here's an excerpt from the Prologue of
my much (maybe too much) talked-about book
PROLOGUE
"I done! No more foolishness! I can do better than this!"
His trumpet case secured with an imperious snap of the
metalcatch, Bobby Nelson charged past his six bandmates
and headed for the large door of the top-floor hotel
suite.
The band, Iron Lions, was just coming off a 13-city
bi-coastal US tour (up the West coast, then down
the east, after a seemingly interminable flight across
the country.) Thirteen cities in sixteen nights, with
extra gigs in some cities.
"Bobby, wait," called pianist Ezekiel Parry, known to
all as "Deacon". "You can't make a decision like that
based on how you feel right now. We all tired and..."
---"and nothin' dammit!" Bobby cut him off thunderously,
his six-three, two hundred and thirty pound frame heaving
with fury. "Don't gimme none a your preachin' here today
Deacon!"
Outside their suite, fifteen floors up, the early afternoon
air was deathly still, red-orange streaks of sunlight
lining the tufted tops of the cumulus clouds, like some
kind of Impressionist nightmare. It was a common but dreaded
vista in the Caribbean. A storm was coming. A big one.
Hope to have the next bit for you in about a week.
my much (maybe too much) talked-about book
PROLOGUE
"I done! No more foolishness! I can do better than this!"
His trumpet case secured with an imperious snap of the
metalcatch, Bobby Nelson charged past his six bandmates
and headed for the large door of the top-floor hotel
suite.
The band, Iron Lions, was just coming off a 13-city
bi-coastal US tour (up the West coast, then down
the east, after a seemingly interminable flight across
the country.) Thirteen cities in sixteen nights, with
extra gigs in some cities.
"Bobby, wait," called pianist Ezekiel Parry, known to
all as "Deacon". "You can't make a decision like that
based on how you feel right now. We all tired and..."
---"and nothin' dammit!" Bobby cut him off thunderously,
his six-three, two hundred and thirty pound frame heaving
with fury. "Don't gimme none a your preachin' here today
Deacon!"
Outside their suite, fifteen floors up, the early afternoon
air was deathly still, red-orange streaks of sunlight
lining the tufted tops of the cumulus clouds, like some
kind of Impressionist nightmare. It was a common but dreaded
vista in the Caribbean. A storm was coming. A big one.
Hope to have the next bit for you in about a week.
Tuesday, September 06, 2005
Pair of new ones from Benjy Myaz
multi-instrumentalist, songwriter and singer Benjy Myaz is
set to release two new albums over the next few months. The
first is a vocal-instrumental combo called Long Story Short,
while the next is an all-instrumental affair. No specific dates
have yet been nailed down for either disc, but in talking to Benjy
after the recent Jazz in the Gardens show, he indicated a
possible late October release for the first (he played a
version of the title track at the show).
Log on to benjymyaz.com or watch this space for more info
as it comes up
set to release two new albums over the next few months. The
first is a vocal-instrumental combo called Long Story Short,
while the next is an all-instrumental affair. No specific dates
have yet been nailed down for either disc, but in talking to Benjy
after the recent Jazz in the Gardens show, he indicated a
possible late October release for the first (he played a
version of the title track at the show).
Log on to benjymyaz.com or watch this space for more info
as it comes up
Monday, September 05, 2005
Everything "Clicked" at Jazz in the Gardens
The evening began with a tribute to an ailing giant of
modern jazz, Michael Brecker, diagnosed with a rare blood
cell disorder. His fusion classic, Nothing Personal was
the first of two rousing offerings from a power trio
consisting of keyboard whiz Ozooni and the supertight
rhythm duo of Dale Haslam on bass and Desi Jones on drums
(the latter two having just returned from a nine-week
multi-city tour with Jimmy Cliff). This they followed
with Mary’s Lamb, the keyboardist’s delightfully idiosyncratic
re-working of the time-worn nursery rhyme, proving as Sonny
Rollins was oncel led to state, "jaz is the only music that
absorb almost anything else and still be jazz."
The audience sufficiently warmed up it was time for guitazrist-vocalist-songwirter Benjy Myaz to make his
Jazz in the Gardens debut, a somewhat glaring oversight
given his prodigious abilities and proven hitmaker status.
Even though hius guitar carried a special pick-up that gave
it an expanded range (bass included), Myaz kept the drum
and bass player in the line-up. He added however two keyboardists,
the reliably excellent Othniel Lewis and the relatively untested
Andrew Young. Both were in good form as were backing vocalists
Mickiesha Mc Taggart and Nicolee Sharpe.
But it was mostly Myaz, as he took the audience on a smooth,
R&B jazz journey that took in Lionel Richie’s "Love Will Find
A Way" and the standard "Autumn Leaves" with equal ease. Myaz
dedicated the former selection to the victims of Katrina and
to all the suffering people of the world.
There was also a new song, "Long Story Short" a delightful
ballad from his upcoming CD, and a reading of "People Make
the World Go Round" (a la Ramsey Lewis) where the vocals would
not be out of place on a Whispers album. He capped an oustanding inaugural stint with the obligatory "Love You Higher" and –when
called, as expected, for encore – garnished with a sutiably
sultry reading of Bobby Caldwell’s "You Do For Love" with
addiitonal oomph from the alto sax stylings of Errol Hird.
After the intermission, the original trio returned and Ozooni’s
Fats Waller-style bit of blues humour "The Best Thing For You
Is Me" They remained intact for the night’s feature act.
Whisking herself on stage in a simple yet dramatic black-and-white ensemble, S. African –born Lorraine Klassen (she now spends much
of her time in Canada) exuding enough energy to power all seventeeen floors of the hotel and much to spare.In a consummate display
of showmanship, she danced, shook, shimmied, ad-libbed, vamped,
teased and sang her way into the hearts of the Pegasus audience,
who lapped up every minute whether they were witnessing her for
the first time or not.
Among the highlights of her stint was the popular "Click Song"
made famous by "Auntie" Miriam Makeba. Klaasen explained the
meaning of the song pointing out that in the click-dominated Xhosa language, one of the references was to a small beetle that
habitually crawled up under the long skirts worn by the women
as they went (babes on their backs) into the fields to gather
wheat. The punch line came when she demostarted how the women
–too havily laden to stop and investigate, "dislodged" the
pesky bugs.
Klaasen’s superior range and irrepressible sense of humour shone
through every aspect of herset, whether delivering "Georgia On
My Mind" "A Foggy Day in London Town"or the other Makeba smash
"Pata Pata" (with a demonstration, of course).
With the calls for her return to the stage overwhelming, she
re-entered claling on Myaz for a free-wheeling adaptation of
the blues anthem "Everyday I Have the Blues" with both leads
liberally substituting their own lines for the original.
The sound was still not as consistently clear and on target as
it can be, but in every other respect, the most recent Jazz in
the Gardens confirmed the series as among the very best live
tickets going. The next instalment takes place on October 30
and who knows what sonorous gifts may float up onto the Louisiana
bayous between now and then. Our neighbours to the north surely
could use them.
modern jazz, Michael Brecker, diagnosed with a rare blood
cell disorder. His fusion classic, Nothing Personal was
the first of two rousing offerings from a power trio
consisting of keyboard whiz Ozooni and the supertight
rhythm duo of Dale Haslam on bass and Desi Jones on drums
(the latter two having just returned from a nine-week
multi-city tour with Jimmy Cliff). This they followed
with Mary’s Lamb, the keyboardist’s delightfully idiosyncratic
re-working of the time-worn nursery rhyme, proving as Sonny
Rollins was oncel led to state, "jaz is the only music that
absorb almost anything else and still be jazz."
The audience sufficiently warmed up it was time for guitazrist-vocalist-songwirter Benjy Myaz to make his
Jazz in the Gardens debut, a somewhat glaring oversight
given his prodigious abilities and proven hitmaker status.
Even though hius guitar carried a special pick-up that gave
it an expanded range (bass included), Myaz kept the drum
and bass player in the line-up. He added however two keyboardists,
the reliably excellent Othniel Lewis and the relatively untested
Andrew Young. Both were in good form as were backing vocalists
Mickiesha Mc Taggart and Nicolee Sharpe.
But it was mostly Myaz, as he took the audience on a smooth,
R&B jazz journey that took in Lionel Richie’s "Love Will Find
A Way" and the standard "Autumn Leaves" with equal ease. Myaz
dedicated the former selection to the victims of Katrina and
to all the suffering people of the world.
There was also a new song, "Long Story Short" a delightful
ballad from his upcoming CD, and a reading of "People Make
the World Go Round" (a la Ramsey Lewis) where the vocals would
not be out of place on a Whispers album. He capped an oustanding inaugural stint with the obligatory "Love You Higher" and –when
called, as expected, for encore – garnished with a sutiably
sultry reading of Bobby Caldwell’s "You Do For Love" with
addiitonal oomph from the alto sax stylings of Errol Hird.
After the intermission, the original trio returned and Ozooni’s
Fats Waller-style bit of blues humour "The Best Thing For You
Is Me" They remained intact for the night’s feature act.
Whisking herself on stage in a simple yet dramatic black-and-white ensemble, S. African –born Lorraine Klassen (she now spends much
of her time in Canada) exuding enough energy to power all seventeeen floors of the hotel and much to spare.In a consummate display
of showmanship, she danced, shook, shimmied, ad-libbed, vamped,
teased and sang her way into the hearts of the Pegasus audience,
who lapped up every minute whether they were witnessing her for
the first time or not.
Among the highlights of her stint was the popular "Click Song"
made famous by "Auntie" Miriam Makeba. Klaasen explained the
meaning of the song pointing out that in the click-dominated Xhosa language, one of the references was to a small beetle that
habitually crawled up under the long skirts worn by the women
as they went (babes on their backs) into the fields to gather
wheat. The punch line came when she demostarted how the women
–too havily laden to stop and investigate, "dislodged" the
pesky bugs.
Klaasen’s superior range and irrepressible sense of humour shone
through every aspect of herset, whether delivering "Georgia On
My Mind" "A Foggy Day in London Town"or the other Makeba smash
"Pata Pata" (with a demonstration, of course).
With the calls for her return to the stage overwhelming, she
re-entered claling on Myaz for a free-wheeling adaptation of
the blues anthem "Everyday I Have the Blues" with both leads
liberally substituting their own lines for the original.
The sound was still not as consistently clear and on target as
it can be, but in every other respect, the most recent Jazz in
the Gardens confirmed the series as among the very best live
tickets going. The next instalment takes place on October 30
and who knows what sonorous gifts may float up onto the Louisiana
bayous between now and then. Our neighbours to the north surely
could use them.
Friday, September 02, 2005
Top Spins - Sep 02
Our prayers go out to the folks of N. Orleans
- where jazz became jazz - and the Gulf coast.
My Top Spins for this period:
Herbie Hancock - Possibilities: Hancock Musci/Hear Music
a mutli-guest showcase that fluidly moves through rock,
blues, funk and pop with few missteps;
Charlie Peacock - Love Press Ex-Curio: Runway Network
A great modern jazz session from one ofthe most
prolific and lauded Chritian songwriters of all.
With great stints from Ralph Alessi(trump.) Jeff Coffin
and Ravi Coltrane (saxes); Joey Barron (drums) and
Kurt Rosenwinkel (guitar) among others. My pick of
the week.
Ginetta's Vendetta - La Dolce Vita: Kickin' Wiccan Music
trumpeter/vocalist/songwriter Ginetta Minicchielo
and her varied lineup run through some pop-jazz
originals and a funkafied adaptation of My Funny Valentine
which brings me to...
Miles Davis -the best of the Quintet 1965-68: Legacy/Sony
All September long, I'll be paying tribute to the
"Dark Prince" climaxing ina special all-Miles Jazzofonik
X-perience CD party at the Deck
- where jazz became jazz - and the Gulf coast.
My Top Spins for this period:
Herbie Hancock - Possibilities: Hancock Musci/Hear Music
a mutli-guest showcase that fluidly moves through rock,
blues, funk and pop with few missteps;
Charlie Peacock - Love Press Ex-Curio: Runway Network
A great modern jazz session from one ofthe most
prolific and lauded Chritian songwriters of all.
With great stints from Ralph Alessi(trump.) Jeff Coffin
and Ravi Coltrane (saxes); Joey Barron (drums) and
Kurt Rosenwinkel (guitar) among others. My pick of
the week.
Ginetta's Vendetta - La Dolce Vita: Kickin' Wiccan Music
trumpeter/vocalist/songwriter Ginetta Minicchielo
and her varied lineup run through some pop-jazz
originals and a funkafied adaptation of My Funny Valentine
which brings me to...
Miles Davis -the best of the Quintet 1965-68: Legacy/Sony
All September long, I'll be paying tribute to the
"Dark Prince" climaxing ina special all-Miles Jazzofonik
X-perience CD party at the Deck
Battle of the Bands launched
The Jamaica campaign for the Global battle
of the Bands officially got underway in a lively
ceremony at D' Roof erarlier this week.
Amid clips from last year's inaugural world finals,
National Director Seretse Small outlined the process
for Jamaica's historic participation.
"The organizers were very excited at the prospect of
jamaican rperesentation in the contest," he said. Small
added that an event like Global Battlae of the Bands
would not only enhance Jamaica's reputation abroad
as a music powerhouse, but would further stimulate
live music in Jamaica.
Three elimiantions will be held (Oct 22, 29 and nov. 5
respectively) followed by a National Finals on Nov. 13,
all at the BackYaad complex in Constant Spring. The winner
goes on tothe World finals athte London Astoria on Dec 7.
There, they'll compete for a first prize of US $100,000 plus
a promotional tour to all the other competing countries.
Finalists will be chosen by a combination of points from a
judging panel and public voting via call-ins or at the venue.
80% judging panel; 20% public vote.
As a corollary tot he project, LMG Models Limited will
be contributing to the styling of the Jamaican participants.
of the Bands officially got underway in a lively
ceremony at D' Roof erarlier this week.
Amid clips from last year's inaugural world finals,
National Director Seretse Small outlined the process
for Jamaica's historic participation.
"The organizers were very excited at the prospect of
jamaican rperesentation in the contest," he said. Small
added that an event like Global Battlae of the Bands
would not only enhance Jamaica's reputation abroad
as a music powerhouse, but would further stimulate
live music in Jamaica.
Three elimiantions will be held (Oct 22, 29 and nov. 5
respectively) followed by a National Finals on Nov. 13,
all at the BackYaad complex in Constant Spring. The winner
goes on tothe World finals athte London Astoria on Dec 7.
There, they'll compete for a first prize of US $100,000 plus
a promotional tour to all the other competing countries.
Finalists will be chosen by a combination of points from a
judging panel and public voting via call-ins or at the venue.
80% judging panel; 20% public vote.
As a corollary tot he project, LMG Models Limited will
be contributing to the styling of the Jamaican participants.
Busy Sunday for Jazz
As previously posted, two concerts are scheduled for
thsi Sunday with leading jazz artists. A little more
info on the line-ups.
over at the Pegasus, the jazz in the Gardens series resumes
at 6:00p m with stints form drummmer Desi Jones and Friends,
multi-instrumentalist/vocalist Benjy Myaz and S. African
star Lorraine Klaasen
About 10 minutes down the road, the 2nd annual Jazz
for the Kids concert takes place at the Officers Club
JDF HQ beginning at 5, featuring Dean Fraser, Dwight Richards
and Friends, Maria Myrie, Della Manley, Mark Pritchett
and Nichoals Laraque
thsi Sunday with leading jazz artists. A little more
info on the line-ups.
over at the Pegasus, the jazz in the Gardens series resumes
at 6:00p m with stints form drummmer Desi Jones and Friends,
multi-instrumentalist/vocalist Benjy Myaz and S. African
star Lorraine Klaasen
About 10 minutes down the road, the 2nd annual Jazz
for the Kids concert takes place at the Officers Club
JDF HQ beginning at 5, featuring Dean Fraser, Dwight Richards
and Friends, Maria Myrie, Della Manley, Mark Pritchett
and Nichoals Laraque
Thursday, September 01, 2005
Jazzofonik Anniversary special
In celebration of one year of Jazzofonik X-perience at
the Deck, a special anniversary Jam takes place at the
Deck. Line-up to announced shortly.
the Deck, a special anniversary Jam takes place at the
Deck. Line-up to announced shortly.
Tuesday, August 30, 2005
"Hurricane" Cindy
Few drummers, male or female, can throw down with force and rhythm like Cindy Blackman, caught here by Enid Farber in New York
CharlieParkerJazzFest
From Enid Farber, highlights of the just-concluded Charlie Parker Jazz Fest in Marcus Garvey Park, NYC
Monday, August 29, 2005
S. Africa Feel for Jazz in Gardens
The popular Jazz in the Gardens cabaretseries returns to
the Gazebo Lawn of the Pegasus Hotel in Kingston this
Sunday, Sep. 4.
Among the headliners is South African star Lorraine
Klaasen. No stranger to Jamaica, Klaasen has performed
on the Ocho Rios Jazz Festival as well as on her own bill.
the Gazebo Lawn of the Pegasus Hotel in Kingston this
Sunday, Sep. 4.
Among the headliners is South African star Lorraine
Klaasen. No stranger to Jamaica, Klaasen has performed
on the Ocho Rios Jazz Festival as well as on her own bill.
Wednesday, August 24, 2005
Jazz for the Kids
Sunday, Sep 4 will see the renewal of the Jazz for the Children
charity concert to benenfit the Voluntary Oragnization for the
Upliftment of Children(VOUCH), at the Jamaica Defence Force
Officer's Club, beginning at 7:00 p.m.
The event was inaugurated last uear and proved successful,
certainly in artistic terms and most likely in commercial
tersm also.
Among those slated to perform this year are sax-flutist
Nicholas Laraque and veteran reed man Dean Fraser
charity concert to benenfit the Voluntary Oragnization for the
Upliftment of Children(VOUCH), at the Jamaica Defence Force
Officer's Club, beginning at 7:00 p.m.
The event was inaugurated last uear and proved successful,
certainly in artistic terms and most likely in commercial
tersm also.
Among those slated to perform this year are sax-flutist
Nicholas Laraque and veteran reed man Dean Fraser
The Roaring Forties double bass
Unconventional indeed! This member of the swing band The Roaring Forties was captured in Cork, Ireland by our newest jazzhedz member, docaoimh.
Tuesday, August 23, 2005
R.I.P. Robert Moog
Robert Moog, the maverick scientist who invented the music
synthesizer that bears his name, died Sunday of a brain tumor.
He was 71.
Introduced in the mid-1960s, the Moog became an integral device
in the careers of jazz giants like Herbie Hancock, Miles Davis,
and Jan Hammer as well as countless rock acts (Yes, the Monkees)
and soul/r&b stars like Stevie Wonder.
Condolences to the Moog family and to all who knew him well.
synthesizer that bears his name, died Sunday of a brain tumor.
He was 71.
Introduced in the mid-1960s, the Moog became an integral device
in the careers of jazz giants like Herbie Hancock, Miles Davis,
and Jan Hammer as well as countless rock acts (Yes, the Monkees)
and soul/r&b stars like Stevie Wonder.
Condolences to the Moog family and to all who knew him well.
Top Spins -abridged
An abridged version of Top Spins this week
work has pressed upon us and kept our
listening below the desired level, but
here goes:
- The Kevin Robinson Ensemble, feat. Kim Walker: A Journey in Freedom[The God Factor] - www.kevinrobisnonensemble.com;
Ginetta's Vendetta - La Dolce Vita - www.ginetta'svendetta.com;
Sherman Irby - Faith -Black Warrior(www.blackwarrior.com);
Mat Maneri - Pentagon - Thirsty Ear (www.thirstyear.com)
work has pressed upon us and kept our
listening below the desired level, but
here goes:
- The Kevin Robinson Ensemble, feat. Kim Walker: A Journey in Freedom[The God Factor] - www.kevinrobisnonensemble.com;
Ginetta's Vendetta - La Dolce Vita - www.ginetta'svendetta.com;
Sherman Irby - Faith -Black Warrior(www.blackwarrior.com);
Mat Maneri - Pentagon - Thirsty Ear (www.thirstyear.com)
Battle of the Bands update
The selection of a Jamaican contingent to compete in
the second annual Global Battle of the Bands in London
moves closer with a press launch for the event scheduled
for Wed. Aug. 31 at D' Roof open-air cabaret in New Kingston
National Director, music company CEO and guitarist
Seretse Small will detail the requirments, timetable
and other info associated with the project.
the second annual Global Battle of the Bands in London
moves closer with a press launch for the event scheduled
for Wed. Aug. 31 at D' Roof open-air cabaret in New Kingston
National Director, music company CEO and guitarist
Seretse Small will detail the requirments, timetable
and other info associated with the project.
Monday, August 15, 2005
saxman Wayne
Saxman Wayne Escoffrey - who is of Jamaican parentage - in repose with his horn.
Wayne and his band - Toru Dodo on piano;Dwayne Burno on bass; Jason Borwn and drums and wife Carolyn Leonhart on vocals, did a weekend show at NYC's Jazz Gallery
Wayne and his band - Toru Dodo on piano;Dwayne Burno on bass; Jason Borwn and drums and wife Carolyn Leonhart on vocals, did a weekend show at NYC's Jazz Gallery
Nicole Henry Hits the Road
Vocalist Nicole Henry begins her tour tonight in San Miguel,
Mexico to perform four concerts between August 11-17.
Returning to the states for four days, Nicole will be a
featured artist on the CD 101.9 FM stage in New York City
at the Harlem Day Concert, Sunday, August 21st, being put
on by the Discover Harlem/Harlem Chamber of Commerce. Next
it's off to Asia for seven concerts, to reinforce why Japan
named her “Best New Jazz Artist of 2004.” There Nicole will
be backed by the Eddie Higgins Trio on two, sold-out concerts
at the COEX Theater in Seoul, Korea August 23rd and 24th f
ollowed by dates in Tokyo (August 26 & 29), Nagoya (August 28).
Nicole Henry will also share the bill with the likes of Nicholas
Payton and Eric Alexander at the Tendo Jazz Festival, Tendo,
Japan on Saturday August 27th performing jazz standards as heard
in her top-selling CDs, The Nearness of You (#2/HMV, Japan) and
Teach Me Tonight(#1/HMV, Japan), a collaboration with the Eddie
Higgins Trio.. For a direct link to Nicole's concert listings
go to: http://www.nicolehenry.com/.
Mexico to perform four concerts between August 11-17.
Returning to the states for four days, Nicole will be a
featured artist on the CD 101.9 FM stage in New York City
at the Harlem Day Concert, Sunday, August 21st, being put
on by the Discover Harlem/Harlem Chamber of Commerce. Next
it's off to Asia for seven concerts, to reinforce why Japan
named her “Best New Jazz Artist of 2004.” There Nicole will
be backed by the Eddie Higgins Trio on two, sold-out concerts
at the COEX Theater in Seoul, Korea August 23rd and 24th f
ollowed by dates in Tokyo (August 26 & 29), Nagoya (August 28).
Nicole Henry will also share the bill with the likes of Nicholas
Payton and Eric Alexander at the Tendo Jazz Festival, Tendo,
Japan on Saturday August 27th performing jazz standards as heard
in her top-selling CDs, The Nearness of You (#2/HMV, Japan) and
Teach Me Tonight(#1/HMV, Japan), a collaboration with the Eddie
Higgins Trio.. For a direct link to Nicole's concert listings
go to: http://www.nicolehenry.com/.
Friday, August 12, 2005
Jazz HIP
The Jazz Heritage Institute of Preservation (Jazz H.I.P.,
don't sweat the acronym) will soon be registered as a
not-for-profit under local (jamaican) jurisdiction.
Jazz HIp will be the umbrella organization for co-ordinating
the outreach activities of Jazzofonik. It will also be supported
by a Resource Centre (publications, CDs, multimedia etc. ) to
be established over the next six-nine months.
Watch this space for more
don't sweat the acronym) will soon be registered as a
not-for-profit under local (jamaican) jurisdiction.
Jazz HIp will be the umbrella organization for co-ordinating
the outreach activities of Jazzofonik. It will also be supported
by a Resource Centre (publications, CDs, multimedia etc. ) to
be established over the next six-nine months.
Watch this space for more
Wednesday, August 10, 2005
Top Spins & book update
TOP SPINS for this week:
Dave Weckl Band - Multiplicity; Stretch/Concord
Garage A Trois - Outre Mer; Telarc
Dave Brubeck Quartet - London Flat, London Sharp; Telarc
Chuk Fowler & Higher Energy - up From ther Roots; Seque
The Iron lions book is till delayed, but not defeated.
Will clear my slate and start over from scratch this
Friday
Dave Weckl Band - Multiplicity; Stretch/Concord
Garage A Trois - Outre Mer; Telarc
Dave Brubeck Quartet - London Flat, London Sharp; Telarc
Chuk Fowler & Higher Energy - up From ther Roots; Seque
The Iron lions book is till delayed, but not defeated.
Will clear my slate and start over from scratch this
Friday
Thursday, August 04, 2005
Ravi Coltrane
Still have memories of the awesome perfromance sax man Ravi Coltrane and his group (Luis Perdomo -piano; Drew Gress-bass; EJ Strickland -drums) laid down at the St. Lucia Jazz Fest this past May.
Ravi's new album, In Flux is pretty good too. See my review on allaboutjazz.com
Ravi's new album, In Flux is pretty good too. See my review on allaboutjazz.com
jazzfotoregina
Another brilliantly idiosyncratic photomontage from Enid Farber featuring violinist Regina Carter.
Carter is one of the featured acts on the Bermuda Jazz fest, scheduled for October, as well as Anglo-jamaican sax man Courtney Pine, vocalist extraordinnaire Patti Labelle and others.
Carter is one of the featured acts on the Bermuda Jazz fest, scheduled for October, as well as Anglo-jamaican sax man Courtney Pine, vocalist extraordinnaire Patti Labelle and others.
No Prologue - yet
The dangers of paper documents.
Just as I intended to transcribe the Prologue of "Iron Lions"
my hand-written notes have gone missing.
Not worry. Will have it up by Monday the latest.
Thanks for your patience
Just as I intended to transcribe the Prologue of "Iron Lions"
my hand-written notes have gone missing.
Not worry. Will have it up by Monday the latest.
Thanks for your patience
Tuesday, August 02, 2005
Top Spins
This delayed for the past week or two due to problems with the computer i'm presently using (hopefully now resolved) the Top 5 discs in order of number of times I've spun them:
Artist:Title-Label
-Terence Blanchard: Flow – Blue Note;
A brilliant folow-up to his Blue Note debut, Bounce. This one finds
The leader and his band jelling for a well-realized, accomplished collection, with particularly good work coming from guitarist
Lionel Loueke
-Eric Alexander: Dead Center - High Note;
-Roberto Magris Europlane: Check In – Black Saint
-Caribbean Jazz Project: Here & Now Live(2Disc) -MCGJazz
and a classic Revisited
Art Blakey & the Jazz Messengers: Free For All – Blue Note
Quote of the Week (taken from AllAboutJazz.com):
"Its taken all my life to learn what not to play"
-Dizzy Gillespie, jazz trumpeter
Artist:Title-Label
-Terence Blanchard: Flow – Blue Note;
A brilliant folow-up to his Blue Note debut, Bounce. This one finds
The leader and his band jelling for a well-realized, accomplished collection, with particularly good work coming from guitarist
Lionel Loueke
-Eric Alexander: Dead Center - High Note;
-Roberto Magris Europlane: Check In – Black Saint
-Caribbean Jazz Project: Here & Now Live(2Disc) -MCGJazz
and a classic Revisited
Art Blakey & the Jazz Messengers: Free For All – Blue Note
Quote of the Week (taken from AllAboutJazz.com):
"Its taken all my life to learn what not to play"
-Dizzy Gillespie, jazz trumpeter
Long wilderness
Apologies for the long dry spell - computer problems. Regular Posts will resume tomorrow
Monday, July 18, 2005
Author's Note
As stated, here is first bit from literary effort, Iron Lions:
AUTHOR'S NOTE
This is a work of fiction.
Butthe chgaracters and the scenarios depicted in the following
pages spring from my fervent desire to present a different
reality for jazz/improvised music, first and foremost in my
home country, but also in other parts of the world where
mindless, soulless, pre-packaged pop reigns and where ignorance
is worn like a badge(or a designer logo).
Preachy, I know, but that is the wellspring of this work,
and I cannot help but acknowlegdge it.
there will always be those who for whatever reason, won't
appreciate much less be passionate about jazz. Uniformity
in musical tastes is not noly unrealistic but unwelcome.
But for too long, I feel, the balance has been tipped in
favour of the artificial(Of course, jaz isn't the only "real"
music out there, just the one I most identify with). All I
seek to do is restore some diversity, or at least a sense
of diversity.
This is a work of fiction. But the characters and
scenarios are out there, folded into the recesses
of our ephemeral pop culture.
They just need a little help to emerge.
AUTHOR'S NOTE
This is a work of fiction.
Butthe chgaracters and the scenarios depicted in the following
pages spring from my fervent desire to present a different
reality for jazz/improvised music, first and foremost in my
home country, but also in other parts of the world where
mindless, soulless, pre-packaged pop reigns and where ignorance
is worn like a badge(or a designer logo).
Preachy, I know, but that is the wellspring of this work,
and I cannot help but acknowlegdge it.
there will always be those who for whatever reason, won't
appreciate much less be passionate about jazz. Uniformity
in musical tastes is not noly unrealistic but unwelcome.
But for too long, I feel, the balance has been tipped in
favour of the artificial(Of course, jaz isn't the only "real"
music out there, just the one I most identify with). All I
seek to do is restore some diversity, or at least a sense
of diversity.
This is a work of fiction. But the characters and
scenarios are out there, folded into the recesses
of our ephemeral pop culture.
They just need a little help to emerge.
Reid Inna Babylon
Why, its Reid Anderson of the Bad Plus(as if), pefroming at local club Babylon during the Istanbul Jazz festival
Guess Who
From our man in Istanbul, ercu, this shot from the Istnabul Jazz Festival. A clearer shot to follow.
Friday, July 15, 2005
Here We Go Again
At this rate, we have more hurricane posts than music posts before the season ends (officially) in November.
Emily is rushing towards the south coast, with more rain for already waterlogged areas promised as early as tonight.
Still, we're thankful. Keeping our heads up
Emily is rushing towards the south coast, with more rain for already waterlogged areas promised as early as tonight.
Still, we're thankful. Keeping our heads up
Wednesday, July 13, 2005
Post no. 101 - Battle of the Bands for Jamaica
Word out of the Griot Music enterprise of guitarist/composer/
publisher Seretse Small is tha he has secured the Jamaican
franchise for the 2005 renewal ofthe Global Battel of the Bands.
Billed as the biggest live championship for popular music, the event
was first staged in november last year, involving bands from 16
countries. The websiste, gbob.com lsists only 2 rules: no covers,
and no pre-recorded music.
Small and Griot Music will put out more details shortly on
the Jamaica leg ofthe contest.
Meanwhile, under his impresario hat, Small is trying to continue
his "Art of Caribbean Music" live series, which has produced
several outstanding showcases over the past few months. "We're
trying to get [saxophonist] Dean Fraser and Luther Francois as the headliners but we're having difficulty tying Dean down to a date
publisher Seretse Small is tha he has secured the Jamaican
franchise for the 2005 renewal ofthe Global Battel of the Bands.
Billed as the biggest live championship for popular music, the event
was first staged in november last year, involving bands from 16
countries. The websiste, gbob.com lsists only 2 rules: no covers,
and no pre-recorded music.
Small and Griot Music will put out more details shortly on
the Jamaica leg ofthe contest.
Meanwhile, under his impresario hat, Small is trying to continue
his "Art of Caribbean Music" live series, which has produced
several outstanding showcases over the past few months. "We're
trying to get [saxophonist] Dean Fraser and Luther Francois as the headliners but we're having difficulty tying Dean down to a date
Tuesday, July 12, 2005
Jaco's "Gospel"
Fresh out the mailbox is a copy of "Gospel for JFPIII:
A Tribute to Jaco Pastorius" courtesy of the folks at
Moonjune Records[moonjune.com] On first spin, it sounds
like a suitably adventurous tribute to the late great
bass maestro, including contributions from steel pan
virtuouso Othello Molineaux as well as Gil Goldstein
(an accordion take on "Punk Jazz") and Jaco's son,
Felix among many others. Check it out if you can
A Tribute to Jaco Pastorius" courtesy of the folks at
Moonjune Records[moonjune.com] On first spin, it sounds
like a suitably adventurous tribute to the late great
bass maestro, including contributions from steel pan
virtuouso Othello Molineaux as well as Gil Goldstein
(an accordion take on "Punk Jazz") and Jaco's son,
Felix among many others. Check it out if you can
Lou Donaldson
I'm trying to beef up the photo quotient of Jazzofonik and this is a particularly "beefy" shot of sax great Lou Donaldson, courtesy of misterjazz, a member of my Jazzhedz Group at Flickr
Monday, July 11, 2005
The 1st Twelve months
Happy Birthday to us!
In July last year, we put up our first posts,
and here we are, one year, two hurricanes, and
many jazz performances and recordings later.
Again many thanks to all visitors, supporters
and jazz fans in general as we steam ahead
In July last year, we put up our first posts,
and here we are, one year, two hurricanes, and
many jazz performances and recordings later.
Again many thanks to all visitors, supporters
and jazz fans in general as we steam ahead
"Iron Lions" Now a Novel
On further reflection, the planned jazz biography
Iron Lions, will now take the form of a novella,
focuissing on a band of young jazz players in the
present context, but with references to the Jamaican
jazz giants of past and present.
Beginning next week, jazzofonik readers will see
the Prologue, plus excerpts of the first seven[7]
chapters, exclusively on this blog, in addition
to our regular posts. Looking forward to your
comments.
Iron Lions, will now take the form of a novella,
focuissing on a band of young jazz players in the
present context, but with references to the Jamaican
jazz giants of past and present.
Beginning next week, jazzofonik readers will see
the Prologue, plus excerpts of the first seven[7]
chapters, exclusively on this blog, in addition
to our regular posts. Looking forward to your
comments.
Friday, July 08, 2005
A "wet kiss" from Dennis
Not make fun of Cuba Cayman or the U.S. Gulf coast, but
it seems hurricanes "vacation" off the Jamaican coast,
pick up strength and move on. Not as dramaticaly as Ivan
last year, Dennis skirted the NE coast of Jamaica and at
alst update is now packing 150mph winds.
Fortunately no wind damage for us but buckets of rain
over the last two days. Still overcast right now and
nitlelife still mostly on hold
Have a great weekend
it seems hurricanes "vacation" off the Jamaican coast,
pick up strength and move on. Not as dramaticaly as Ivan
last year, Dennis skirted the NE coast of Jamaica and at
alst update is now packing 150mph winds.
Fortunately no wind damage for us but buckets of rain
over the last two days. Still overcast right now and
nitlelife still mostly on hold
Have a great weekend
Wednesday, July 06, 2005
Max ill
More sad news from the US jazz front. Unconfirmed word is
that 82 -y.o. master drummer and bebop pioneer Max Roach
is suffering from some form of dementia and is now in
a managed care facility. This is a sad follow-up to
my previous post concerning saxophonist Michael
Brecker. Prayers to family and friends of Max Roach
that 82 -y.o. master drummer and bebop pioneer Max Roach
is suffering from some form of dementia and is now in
a managed care facility. This is a sad follow-up to
my previous post concerning saxophonist Michael
Brecker. Prayers to family and friends of Max Roach
An unwelcome "blowin' session"?
As the fringes of what is now Hurricane Dennis come ashore, nightlife is, naturally, on hold, including Jazzofonik Wednesdays at The Deck. A number of other shows and events have either been postponed or cancelled.
all being well, I'll have more on Friday
all being well, I'll have more on Friday
Wednesday, June 29, 2005
1000+.....and counting
Sometime yesterday, this blog logged its 1000th visitor.
- and with our first anniversary coming up to boot
Just would like to say a big thank you to
everyone who's checked out Jazzofonik over these
past 12 months - and greater thanks to those of
you who've commented and sent e-mails
By God's grace we'll continue to do our part
[however small]in keeping this music alive. Its been a great
trip so far and I pray you'll stay with me
- and with our first anniversary coming up to boot
Just would like to say a big thank you to
everyone who's checked out Jazzofonik over these
past 12 months - and greater thanks to those of
you who've commented and sent e-mails
By God's grace we'll continue to do our part
[however small]in keeping this music alive. Its been a great
trip so far and I pray you'll stay with me
Versonic @ Red Bones
The up 'n' coming combo Versonic Vibes
brings their multi-element hybrid to the
Red Bones Blues Cafe this Friday (Jul. 1)
Includes sax, bass, steel pan (excellent)
drums and violin (and any other instrument
that may occur to them to throw into the mix).
Deserving of wider recognition for sure
brings their multi-element hybrid to the
Red Bones Blues Cafe this Friday (Jul. 1)
Includes sax, bass, steel pan (excellent)
drums and violin (and any other instrument
that may occur to them to throw into the mix).
Deserving of wider recognition for sure
Monday, June 27, 2005
Correction to releases post
The previous post should have ericalexanderjazz.com
and not simply ericalexander.com as the webiste
reference for Eric Alexander. Apologies
for the error
and not simply ericalexander.com as the webiste
reference for Eric Alexander. Apologies
for the error
Recommended releases
Terence Blanchard: Flow - Blue Note;
Eric Alexander: Dead Centre - High Note;
Randy Lippincott: Soul Monkey -GP Recordings
I've been playing the Blanchard disc several times
over - its great. The Alxander record was an impulse
pick-up after their smokin' live set to close the
Ocho Rios jazz festival - It took some time but the
record has definitely grown on me - A Few Miles From
Memphis and Sonrisa are my faves. Randy Lippincottt is
a bad-ass blues guitarist and (from my meeting with him
during Ocho Rios jazz) an all-round good human being. This
is a rocking good CD - Nightshade (an original), Stop Runnin'
Behind Me and Uhhh! are just a few of the highlights
for more info (in reverse order):
randylippincott.com;
jazzdepot.com/ericalexander.com;
bluenote.com/terenceblanchard.com
Eric Alexander: Dead Centre - High Note;
Randy Lippincott: Soul Monkey -GP Recordings
I've been playing the Blanchard disc several times
over - its great. The Alxander record was an impulse
pick-up after their smokin' live set to close the
Ocho Rios jazz festival - It took some time but the
record has definitely grown on me - A Few Miles From
Memphis and Sonrisa are my faves. Randy Lippincottt is
a bad-ass blues guitarist and (from my meeting with him
during Ocho Rios jazz) an all-round good human being. This
is a rocking good CD - Nightshade (an original), Stop Runnin'
Behind Me and Uhhh! are just a few of the highlights
for more info (in reverse order):
randylippincott.com;
jazzdepot.com/ericalexander.com;
bluenote.com/terenceblanchard.com
Pray for Michael brecker
Came across item in NY Times that stated that the great
tenor saxophonist Michael Brecker has been diagnosed
witha serious blood disorder. Our prayers for
complete healing go out to him and for strength
to his loved ones friends and colleagues
tenor saxophonist Michael Brecker has been diagnosed
witha serious blood disorder. Our prayers for
complete healing go out to him and for strength
to his loved ones friends and colleagues
Wednesday, June 22, 2005
"THREE X FOUR" - Ocho Rios jazz review
Other band formats came and delivered good accounts of
themselves (this writer arrived after the reportedly good
performance by the Antelope Valley Big Band), but its arguable
that the final day of the 2005 Ocho Rios Jazz Festival belonged
to quartets.
The first such to greet us was the effervescent Kathy Brown group,
comprising Brown on keyboards and the now road-tested trio (with
Brown and other groups) of Dale Brown on electric bass, Denver Smith
on percussion and Deleon "Jubba" White on drums. One of the real gems
to have emerged in jazz over the last several years, Brown never gives
you the same tune twice and even her oft-performed numbers, like The
Flinstones theme, and Afro-Blue were presented on Sunday last with some
interesting, if minor variations. The group also played a Cuban compositon
entitled The Light that went over well with the audience.
After their departure, another large aggregation took the Almond Tree stage.
Billed as a tribute to ska, theirs was a meandering albeit energetic set
that saw, founder/leader Errol Lee also hailing Ocho Rios festival founder
Sonny Bradshaw and others associated with the event. Lee, aided and abetted
by festival sponsors bMobile, also encouraged some audience participation
to the lively ska numbers, as well as a hilarious sing-along in which the
contestant – clearly a foreigner - warbled his best Bob Marley, blissfully
out of tune and pace with the band.
The next foursome brought a change of pace to the festival, at a time
when organizers were beginning to "chase the sun" as it were (the garden
setting with its gazebo are not equipped for a nightime show). Black
Zebra saw the return of Brown on bass, along side Richie Cunningham on
the trap set. Up front were Mark Pritchett and Wayne McGregor, who did
a virtual quickstep through a part-tribute to Delta blues legend Muddy Waters
, including "The Blues Had A Baby" the salacious "You Shook Me" and I’ve Go to
be Goin Home". They threw in Gary U.S. Bonds’ "New Orleans" and closed in
customary fashion with Steve Winwood’s "Gimme Some Lovin’" the latter featuring
some heavier-than-usual pedal effect work by Pritchett especially.
The blues was just the right platform for the next guest, Philly storyteller
and guitarist Randy Lippincott, who brought his laid-back humour and fluid
acoustic guitar lines to the likes of Robert Johnson’s "Kind-hearted Woman"
The only lament in this case was that Lippincott’s band could not accompany
him to Jamaica. That would have enabled the audience to experience some of
the rollicking bar-burners on his excellent CD, Soul Monkey.
The "Philly Posse" extended their presence with the arrival of the sax-vocal
tandem of Byard Lancaster and Barbara Walker. The poignancy of the absence of
the festival’s founders and spearheads, was much in evidence as Walker dedicated
an intense reading of Simon & Garfunkel’s "Bridge Over Troubled Water" to
Myrna Hague. Walker, ably supported by Marjorie Whylie on piano also showed
characteristic gusto and tonal control on blues chestnuts like "I Ain’t
Doin’ Too Bad" (with a snatch of "Everyday I Have The Blues" thrown in),
her own "One Eyed Man" and, in a nod to her home state, ‘Georgia On My Mind"
But the afternoon’s best "four" by far came right at the end. It comprised
pianist David Hazeltine, upright bassist Nat Reeves and drummer Joe Farnsworth
in support of tenor man Eric Alexander( making a return visit to the event
from last year). They made their take-no-prisoners philosophy abundantly clear
(amid high heat and humidity) from the opening number "Nemesis" (an Alexander
original) and scarcely let up from that point onward, careening through Hazeltine’s composition "Blueslike" and Antonio Carlos Jobim’s " Triste" before effecting
a palpable shift of gear on the Gene Ammons ballad, "Didn’t We" but even this
piece took on a gentle shuffle with time. The final two numbers saw the band
again off to the races, several in the audience more than happy to be swept along.
One can’t say enough about he pleasure of taking in an experienced, hard-swinging
group of musicians who are well acquainted with each other and committed to the
task of making straight-ahead jazz come alive. Within the overall group dynamic,
the band members conducted intricate dialogues (bass-piano; piano-drum; drum-sax)
without ever forgetting the audience before them. Farnsworth in particular,
reeling off stunningly fast tempos, still brought refinement and control to
his drumming, making meaningful comments on all of the drums, but particularly
in one extended display of lightning-fast cymbal work.
With the sun loosening its grip on the venue, the 15th staging of the Ocho Rios
Jazz Festival came to an end. Sonny and Myrna are undoubtedly missed (the
fraternity continues to pray in respect of Myrna’s illness), but it
was demonstrated that even without them, the show must go on.
themselves (this writer arrived after the reportedly good
performance by the Antelope Valley Big Band), but its arguable
that the final day of the 2005 Ocho Rios Jazz Festival belonged
to quartets.
The first such to greet us was the effervescent Kathy Brown group,
comprising Brown on keyboards and the now road-tested trio (with
Brown and other groups) of Dale Brown on electric bass, Denver Smith
on percussion and Deleon "Jubba" White on drums. One of the real gems
to have emerged in jazz over the last several years, Brown never gives
you the same tune twice and even her oft-performed numbers, like The
Flinstones theme, and Afro-Blue were presented on Sunday last with some
interesting, if minor variations. The group also played a Cuban compositon
entitled The Light that went over well with the audience.
After their departure, another large aggregation took the Almond Tree stage.
Billed as a tribute to ska, theirs was a meandering albeit energetic set
that saw, founder/leader Errol Lee also hailing Ocho Rios festival founder
Sonny Bradshaw and others associated with the event. Lee, aided and abetted
by festival sponsors bMobile, also encouraged some audience participation
to the lively ska numbers, as well as a hilarious sing-along in which the
contestant – clearly a foreigner - warbled his best Bob Marley, blissfully
out of tune and pace with the band.
The next foursome brought a change of pace to the festival, at a time
when organizers were beginning to "chase the sun" as it were (the garden
setting with its gazebo are not equipped for a nightime show). Black
Zebra saw the return of Brown on bass, along side Richie Cunningham on
the trap set. Up front were Mark Pritchett and Wayne McGregor, who did
a virtual quickstep through a part-tribute to Delta blues legend Muddy Waters
, including "The Blues Had A Baby" the salacious "You Shook Me" and I’ve Go to
be Goin Home". They threw in Gary U.S. Bonds’ "New Orleans" and closed in
customary fashion with Steve Winwood’s "Gimme Some Lovin’" the latter featuring
some heavier-than-usual pedal effect work by Pritchett especially.
The blues was just the right platform for the next guest, Philly storyteller
and guitarist Randy Lippincott, who brought his laid-back humour and fluid
acoustic guitar lines to the likes of Robert Johnson’s "Kind-hearted Woman"
The only lament in this case was that Lippincott’s band could not accompany
him to Jamaica. That would have enabled the audience to experience some of
the rollicking bar-burners on his excellent CD, Soul Monkey.
The "Philly Posse" extended their presence with the arrival of the sax-vocal
tandem of Byard Lancaster and Barbara Walker. The poignancy of the absence of
the festival’s founders and spearheads, was much in evidence as Walker dedicated
an intense reading of Simon & Garfunkel’s "Bridge Over Troubled Water" to
Myrna Hague. Walker, ably supported by Marjorie Whylie on piano also showed
characteristic gusto and tonal control on blues chestnuts like "I Ain’t
Doin’ Too Bad" (with a snatch of "Everyday I Have The Blues" thrown in),
her own "One Eyed Man" and, in a nod to her home state, ‘Georgia On My Mind"
But the afternoon’s best "four" by far came right at the end. It comprised
pianist David Hazeltine, upright bassist Nat Reeves and drummer Joe Farnsworth
in support of tenor man Eric Alexander( making a return visit to the event
from last year). They made their take-no-prisoners philosophy abundantly clear
(amid high heat and humidity) from the opening number "Nemesis" (an Alexander
original) and scarcely let up from that point onward, careening through Hazeltine’s composition "Blueslike" and Antonio Carlos Jobim’s " Triste" before effecting
a palpable shift of gear on the Gene Ammons ballad, "Didn’t We" but even this
piece took on a gentle shuffle with time. The final two numbers saw the band
again off to the races, several in the audience more than happy to be swept along.
One can’t say enough about he pleasure of taking in an experienced, hard-swinging
group of musicians who are well acquainted with each other and committed to the
task of making straight-ahead jazz come alive. Within the overall group dynamic,
the band members conducted intricate dialogues (bass-piano; piano-drum; drum-sax)
without ever forgetting the audience before them. Farnsworth in particular,
reeling off stunningly fast tempos, still brought refinement and control to
his drumming, making meaningful comments on all of the drums, but particularly
in one extended display of lightning-fast cymbal work.
With the sun loosening its grip on the venue, the 15th staging of the Ocho Rios
Jazz Festival came to an end. Sonny and Myrna are undoubtedly missed (the
fraternity continues to pray in respect of Myrna’s illness), but it
was demonstrated that even without them, the show must go on.
Tuesday, June 21, 2005
After the Storm....
After a busy weekend, things are somewhat calm on the
local jazz front. The 15th ocho Rios jazz festival
wrapped at its traditional venue, the Almond Tree
restaurant and garden, with blistering sets by the
Eric Alexander Quartet, Black Zebra and the "Philly
Posse" featuring Byard lancaster, barbara Walker and Randy Lippincott.
kathy Brown and her group also sparkled, as did returnee
Ginetta's Vendetta (at one ofthe Pegasus Jam Sessions).
those of you (Jamaicans) with dual currency credit card
and a taste for the blues should log on to randylippincott.com
and get a copy of his "Soul Monkey" a really satisfying stew
of roginals and standards with some sizzling group play.
also pick any of the albums from the Alexander quartet
(Alexander on tenor sax, David Hazeltine on piano, Nat
Reeves on upright bass and Joe Fransworth on drums. Each
have recorded extensively as both sidemen nad leaders so
your chocie may be difficult
Barbara Walker and Byard Lancaster also have excellent
recordings available.
That ends my "product pimp" post Jazz in the Gardens
renews at the Jamaica Pegasus this Sunday, Jun 26More on
that later
Links
local jazz front. The 15th ocho Rios jazz festival
wrapped at its traditional venue, the Almond Tree
restaurant and garden, with blistering sets by the
Eric Alexander Quartet, Black Zebra and the "Philly
Posse" featuring Byard lancaster, barbara Walker and Randy Lippincott.
kathy Brown and her group also sparkled, as did returnee
Ginetta's Vendetta (at one ofthe Pegasus Jam Sessions).
those of you (Jamaicans) with dual currency credit card
and a taste for the blues should log on to randylippincott.com
and get a copy of his "Soul Monkey" a really satisfying stew
of roginals and standards with some sizzling group play.
also pick any of the albums from the Alexander quartet
(Alexander on tenor sax, David Hazeltine on piano, Nat
Reeves on upright bass and Joe Fransworth on drums. Each
have recorded extensively as both sidemen nad leaders so
your chocie may be difficult
Barbara Walker and Byard Lancaster also have excellent
recordings available.
That ends my "product pimp" post Jazz in the Gardens
renews at the Jamaica Pegasus this Sunday, Jun 26More on
that later
Links
Friday, June 17, 2005
Sommers Time
Following is text of feature from my conversation
with sax man Jimmy Sommers(didn't do Q&A format)
as it appears in the Jamaica Obsever.
Met Jimmy at a welcome party thrown by the sponsors
the other nite and he was every bit as personable
easygoing and vibrant as he was on the phone
JIMMY SOMMERS: GOING WITH THE V/X FLOW
Their music may not be comparable, but in outlook,
R&B/jazz saxophonist Jimmy Sommers, who comes to
Jamaica this weekend courtesy of Appleton V/X, appears
to have quite a bit in common with "Margaritaville" icon
Jimmy Buffet. First name similarity aside, both have
interests in themed restaurant ventures along with their
musical careers. And both project a distinctly easygoing
demeanour –at least Sommers did during a telephone conversation.
Ironically, it’s the upbeat drum-and-fife of Junkanoo bands
that is Sommers’ most vivd memory of Jamaica from his previous
visit – several years ago. "I really enjoyed it," he remarks.
"I’m definitely looking forward to coming back and playing there."
In that wish, he is being accommodated by Appleton V/X. The rum
brand is actually sponsoring the saxophonist on a multi-city
jaunt that has so far taken him across the U.S. The Jamaican
leg will culminate at the renowned Fault Line property of musicinas
Peter and Suzanne Couch. Sharing the bill with Sommers on that occasion
will be Gem Myers, Chaka Demus and Pliers, Dwight Pinkney and Suzanne Couch.
The affair is billed as Appleton V/X Evening Escape.
Commenting on the previous dates, which have been club-focussed
[as opposed to the more open vistas of Jacks Hill] Sommers says
the response ahs been "great" and has high praise for his sponsors.
"This gig has helped me to broaden my reach quite a bit, and I’m
sure its been beneficial for Appleton also." The emphasis for the
local dates he says will be on "a party vibe" adding "We’ll be playing
stuff for people to groove to, even get up and dance."
Such fare, typical of the now dominant smooth genre, is the kind
of stuff thattends to alienate jazz fans with a more purist bent.
That’s fine by Sommers, who doesn’t generally attach the term jazz
to what he does. ‘There’s just too many notes in jazz," he says.
"I’m trying to do more groove-oriented stuff, really just laying
some funky riffs over R&B grooves, because that’s what I like and
what I believe people generally like too."
Not that he lacks the chops to make a credible jazz statement.
Sommers started on the instrument at age 10. ‘"It was just one day,
band day, while in fourth grade…Usually people start in fifth grade,
but they came and they had all the instruments laid out. And of course,
when you’re so young, 10 years old, you really don’t know what each
instrument sounds like, so I kind of went for the coolest looking instrument. Well not only was it the coolest looking instrument, but it sounded the
coolest! I got lucky with the sound. I ended up picking it up, and all my friends tried it. It’s funny because usually if there are too many saxophone players, they push you to something else, and thank God that didn’t happen.
Before long, that "cool sound" was taking him to clubs and music joints
in his hometown of Chicago where he would sit in and jam with the likes
of blues guitar legend Buddy Guy. He knew then that he wanted to make a
career in music but elected to study engineering in college, for the sake of having a ‘fall-back’. I know how difficult it can be to build a music career,"
he notes.
After graduation, Sommers took the plunge and moved west – to Los Angeles.
But stardom was elusive and difficult. He played with a few local bands, but nothing really clicked. "Then I ended up going to Europe with a couple of people, did the tour thing. That was fun, but I moved back to Chicago in 1996 and met Eric Benét, he turned me on to his music and I just loved it. He’s from Milwaukee and I ended up doing my first record with him and his producer, his cousin. That got me. I finally got it, how to make records. And that record came out and it’s called James Café. So that kind of gave me the bug again…I finally get it, I finally know how to make records and produce them. So I moved back to LA and things just started cooking"
James Café was followed by 360 Urban Groove and by his latest release Lovelife. Both those albums feature stellar collaborations with some of the top names in the pop-R&B and smooth jazz spheres: Macy Gray (who spices up the title track of the Lovelife album); trumpeter Chris Botti, Ginuwine, Raphael Saadiq and the criminally unheralded soul singer Rashaan Patterson. Of the latter, Sommers says, "He’s amazing, I originally went in to do one track with him and we ended up writing and recording three."
Sommers’ upcoming projects include a "chill-out" album with noted R&B mix artist/vocalist Viktor Duplaix, a Christmas disc, and a more dance-oriented record. Like his previous two albums, these are being released on his own Gemini Records label (licensed to Higher Octave Jazz). "I’ve seen what the big companies do, and this way works out much better for me," he says, "I really get to experiment and to put out what I really like and believe should be on a record."
In between recording and touring, Sommers, who has been featured on both jazz and mainstream television programmes, will be keeping an eye on his culinary venture, the sushi restaurant Koi, in L.A. "We’ve had Janet Jackson, [Leonardo] Di Caprio, J-Lo, we had Madonna in there the other day! We’ve had everyone in there. It’s pretty incredible…it’s become quite the hot spot! His next restaurant venture is called the Rokbar and the partners include bad boy rocker Tommy Lee (formerly of Motley Crue, who dominated tabloid headlines with his now ex-wife Pamela Anderson)
More exciting to the musician than his restaurant projects is a venture called Baby Genius. "It’s a line of kids music products for child development," he explains. "When they’re young or infants, listening to music and helping their spatial intelligence…studies have shown that classical musical does help. So we started the company and distributing CDs and it turned into a monster company. We’ve sold a couple million CDs, videos, toys…it’s becoming a complete entertainment company for kids."
Thus, Sommers brings his many facets to bear on a discerning Jamaican audience. It also doesn’t hurt that he’s easy on the eyes, having been voted by people magazine as one of the Top 50 Most Eligible Bachelors. As for commitments, Sommers insists, he hasn’t yet found the right one, but is enjoying the search.
The "island magic" may well claim him this time around, with or without the assistance of the Junkanoo. In the meantime, music fans and smooth jazz aficionados will relish the opportunity to hear one of the best in the genre at the top of his game
with sax man Jimmy Sommers(didn't do Q&A format)
as it appears in the Jamaica Obsever.
Met Jimmy at a welcome party thrown by the sponsors
the other nite and he was every bit as personable
easygoing and vibrant as he was on the phone
JIMMY SOMMERS: GOING WITH THE V/X FLOW
Their music may not be comparable, but in outlook,
R&B/jazz saxophonist Jimmy Sommers, who comes to
Jamaica this weekend courtesy of Appleton V/X, appears
to have quite a bit in common with "Margaritaville" icon
Jimmy Buffet. First name similarity aside, both have
interests in themed restaurant ventures along with their
musical careers. And both project a distinctly easygoing
demeanour –at least Sommers did during a telephone conversation.
Ironically, it’s the upbeat drum-and-fife of Junkanoo bands
that is Sommers’ most vivd memory of Jamaica from his previous
visit – several years ago. "I really enjoyed it," he remarks.
"I’m definitely looking forward to coming back and playing there."
In that wish, he is being accommodated by Appleton V/X. The rum
brand is actually sponsoring the saxophonist on a multi-city
jaunt that has so far taken him across the U.S. The Jamaican
leg will culminate at the renowned Fault Line property of musicinas
Peter and Suzanne Couch. Sharing the bill with Sommers on that occasion
will be Gem Myers, Chaka Demus and Pliers, Dwight Pinkney and Suzanne Couch.
The affair is billed as Appleton V/X Evening Escape.
Commenting on the previous dates, which have been club-focussed
[as opposed to the more open vistas of Jacks Hill] Sommers says
the response ahs been "great" and has high praise for his sponsors.
"This gig has helped me to broaden my reach quite a bit, and I’m
sure its been beneficial for Appleton also." The emphasis for the
local dates he says will be on "a party vibe" adding "We’ll be playing
stuff for people to groove to, even get up and dance."
Such fare, typical of the now dominant smooth genre, is the kind
of stuff thattends to alienate jazz fans with a more purist bent.
That’s fine by Sommers, who doesn’t generally attach the term jazz
to what he does. ‘There’s just too many notes in jazz," he says.
"I’m trying to do more groove-oriented stuff, really just laying
some funky riffs over R&B grooves, because that’s what I like and
what I believe people generally like too."
Not that he lacks the chops to make a credible jazz statement.
Sommers started on the instrument at age 10. ‘"It was just one day,
band day, while in fourth grade…Usually people start in fifth grade,
but they came and they had all the instruments laid out. And of course,
when you’re so young, 10 years old, you really don’t know what each
instrument sounds like, so I kind of went for the coolest looking instrument. Well not only was it the coolest looking instrument, but it sounded the
coolest! I got lucky with the sound. I ended up picking it up, and all my friends tried it. It’s funny because usually if there are too many saxophone players, they push you to something else, and thank God that didn’t happen.
Before long, that "cool sound" was taking him to clubs and music joints
in his hometown of Chicago where he would sit in and jam with the likes
of blues guitar legend Buddy Guy. He knew then that he wanted to make a
career in music but elected to study engineering in college, for the sake of having a ‘fall-back’. I know how difficult it can be to build a music career,"
he notes.
After graduation, Sommers took the plunge and moved west – to Los Angeles.
But stardom was elusive and difficult. He played with a few local bands, but nothing really clicked. "Then I ended up going to Europe with a couple of people, did the tour thing. That was fun, but I moved back to Chicago in 1996 and met Eric Benét, he turned me on to his music and I just loved it. He’s from Milwaukee and I ended up doing my first record with him and his producer, his cousin. That got me. I finally got it, how to make records. And that record came out and it’s called James Café. So that kind of gave me the bug again…I finally get it, I finally know how to make records and produce them. So I moved back to LA and things just started cooking"
James Café was followed by 360 Urban Groove and by his latest release Lovelife. Both those albums feature stellar collaborations with some of the top names in the pop-R&B and smooth jazz spheres: Macy Gray (who spices up the title track of the Lovelife album); trumpeter Chris Botti, Ginuwine, Raphael Saadiq and the criminally unheralded soul singer Rashaan Patterson. Of the latter, Sommers says, "He’s amazing, I originally went in to do one track with him and we ended up writing and recording three."
Sommers’ upcoming projects include a "chill-out" album with noted R&B mix artist/vocalist Viktor Duplaix, a Christmas disc, and a more dance-oriented record. Like his previous two albums, these are being released on his own Gemini Records label (licensed to Higher Octave Jazz). "I’ve seen what the big companies do, and this way works out much better for me," he says, "I really get to experiment and to put out what I really like and believe should be on a record."
In between recording and touring, Sommers, who has been featured on both jazz and mainstream television programmes, will be keeping an eye on his culinary venture, the sushi restaurant Koi, in L.A. "We’ve had Janet Jackson, [Leonardo] Di Caprio, J-Lo, we had Madonna in there the other day! We’ve had everyone in there. It’s pretty incredible…it’s become quite the hot spot! His next restaurant venture is called the Rokbar and the partners include bad boy rocker Tommy Lee (formerly of Motley Crue, who dominated tabloid headlines with his now ex-wife Pamela Anderson)
More exciting to the musician than his restaurant projects is a venture called Baby Genius. "It’s a line of kids music products for child development," he explains. "When they’re young or infants, listening to music and helping their spatial intelligence…studies have shown that classical musical does help. So we started the company and distributing CDs and it turned into a monster company. We’ve sold a couple million CDs, videos, toys…it’s becoming a complete entertainment company for kids."
Thus, Sommers brings his many facets to bear on a discerning Jamaican audience. It also doesn’t hurt that he’s easy on the eyes, having been voted by people magazine as one of the Top 50 Most Eligible Bachelors. As for commitments, Sommers insists, he hasn’t yet found the right one, but is enjoying the search.
The "island magic" may well claim him this time around, with or without the assistance of the Junkanoo. In the meantime, music fans and smooth jazz aficionados will relish the opportunity to hear one of the best in the genre at the top of his game
Tuesday, June 14, 2005
Ohci Jazz jam sessions
The Bmobile Jam Sessions in support of the Ocho Rios Jazz Festival
cotinue at the Pegasus (Polo Lounge) tonite (tues.) tomorrow
(Wed.) and Saturday beginning approx. 9:00 p.m. each nite
Also, this and every Wednesday, Jazzofonik CD session + Solo
Spotlite live artiste showcase continues at The Deck
cotinue at the Pegasus (Polo Lounge) tonite (tues.) tomorrow
(Wed.) and Saturday beginning approx. 9:00 p.m. each nite
Also, this and every Wednesday, Jazzofonik CD session + Solo
Spotlite live artiste showcase continues at The Deck
Friday, June 10, 2005
French Musique Night - new date
Thanks to our good friends at the Alliance-Francaise
for the following:
The Alliance Française de la Jamaïque in collaboration with the
Jamaican Federation of Musicians is organizing on Saturday June 18,
“La Fête de la Musique” (Music Fest) on its premises (12b Lilford Avenue,
off Lady Musgrave rd, Kingston 10) from 7:30 pm to midnight.
During this celebration dedicated to all music styles, professionals
and amateurs musicians will participate for free so far as the aim is
to gather people in a joyful atmosphere and to create a link between
people and cultures thanks to music.
The concert will be free of charge and drinks and French Caribbean food
(Sugar Daddies) will be available for sale.
for the following:
The Alliance Française de la Jamaïque in collaboration with the
Jamaican Federation of Musicians is organizing on Saturday June 18,
“La Fête de la Musique” (Music Fest) on its premises (12b Lilford Avenue,
off Lady Musgrave rd, Kingston 10) from 7:30 pm to midnight.
During this celebration dedicated to all music styles, professionals
and amateurs musicians will participate for free so far as the aim is
to gather people in a joyful atmosphere and to create a link between
people and cultures thanks to music.
The concert will be free of charge and drinks and French Caribbean food
(Sugar Daddies) will be available for sale.
Tuesday, June 07, 2005
Sommers interview
The feature I promised based on my conversation with U.S. saxman Jimmy sommers hould run this Thursday (just did the interview today) Interestingly enough, Sommers characteriszes himself as an R&B artist, "I do R&b stuff over saxophone - there are too many notes in jazz"
Full feature on Thursday
Full feature on Thursday
Jazz Reunion for July
The next in guitarist Seretse Small's 'Art of Music" series in July will feature saxophone ace Dean Fraser, as well as his co-horts in the first batch of graduates from the jazz perfomance programe at the Jamaica School of Music (once taught by the great American arranger/trombonist, Melba Liston). Details on this lineup and a brief look at the programme's difficult history next week
Saturday, June 04, 2005
Coming Soon - "Iron Lions: Jamaica's Jazz Heroes"
Have begun work (seriously this time) on book on the greats of jamaican jazz, including overseas jazz figures with strong links to Jamaica. Aim to have out by early December.
Watch this space for updates. Any one with info on Jamaican jazz performers (whether native or of Jamaican parentage) in your area pls fwd to me (bluriter@yahoo.com)
thanks
Watch this space for updates. Any one with info on Jamaican jazz performers (whether native or of Jamaican parentage) in your area pls fwd to me (bluriter@yahoo.com)
thanks
Thursday, June 02, 2005
jazzdrums
The montag here is from Enid Farber, no strnager to jazz and no strnager to Jamaica. Met Enid at a previous Air Jamaica jazz &Blues Festival. You can see more of her work at farberfoto.com
Bits & Pieces
....Jazz Jamaica featured in May issue of Jazzwise (UK);
....Joe Harriott quintet subject of discussion on
All About Jazz.com Artists & Bands thread;
....sax man Houston Person breezed in and out
of Kingston for start of Ocho Rios Jazz;
....
....Joe Harriott quintet subject of discussion on
All About Jazz.com Artists & Bands thread;
....sax man Houston Person breezed in and out
of Kingston for start of Ocho Rios Jazz;
....
Tuesday, May 31, 2005
Jimmy Sommers interview
I'll be interviewing saxophonist Jimmy Sommers sometime today,
ahead of his scheduled weekend tour (June 16-19). will post
text of the interview by latest Friday, so watch for it.
ahead of his scheduled weekend tour (June 16-19). will post
text of the interview by latest Friday, so watch for it.
Thursday, May 26, 2005
Ranglin Goes "Surfin'"
Jazz guitar maestro Ernie Ranglin's latest,
on the Telarc label, is entitled Surfin'.
Musically, it follows on his previous releases,
Modern Answers to Old Problems and his guest
spot on labelmate Monty Alexander's Rocksteady
album. Surfin' recorded at Tuff Gong studios,
features the likes of Dean Frazer, Mikey Fletcher,
Derrick Stewart and Paul Kastick and includes
Ranglin's take on the Delroy Wilson rockstady classic,
Dancing Mood
on the Telarc label, is entitled Surfin'.
Musically, it follows on his previous releases,
Modern Answers to Old Problems and his guest
spot on labelmate Monty Alexander's Rocksteady
album. Surfin' recorded at Tuff Gong studios,
features the likes of Dean Frazer, Mikey Fletcher,
Derrick Stewart and Paul Kastick and includes
Ranglin's take on the Delroy Wilson rockstady classic,
Dancing Mood
Tuesday, May 24, 2005
The Future of Jamaican Jazz
This coming Friday, May 27, seniors from
the Jazz dept. of the Music School
at the Edna Manley College of the
Performing Arts, under the gudiance
of Ibo Cooper and Maurice Gordon will
stage a concert at the College Music
Hall beginnign at 7:00 p.m. Several
top musical guests will also be featured
the Jazz dept. of the Music School
at the Edna Manley College of the
Performing Arts, under the gudiance
of Ibo Cooper and Maurice Gordon will
stage a concert at the College Music
Hall beginnign at 7:00 p.m. Several
top musical guests will also be featured
Saturday, May 14, 2005
Ocho Rios Jazz officially On
The 15th annual Ocho Rios jamaica jazz Festival was officially launched on Thursday night at the jamaica pegasus Hotel in Kingston.
Activities wil kick off on June 1 at Kingston's Emancipation park (right across the street0 with a free concert featuring sax man Houston Person and guitarist Maurice Gordon &friends.
Jazz Fest will also include South Coast party at Treasur Beach, a jazz an poetry session at Weekenz in Kingston, jazz lunch atthe Starapples Restaurant and jazz n blues nites at red Bones and the University of Technology (UTECH).
Ocho Rios and environs is, of course the main focal point and will host a range of free and paid events at various spots, including the faith's pen Rest Stop (along main highway between Kingston and North Coast), Runaway bay (Super Clubs' Breezes Hotel) and the climax at the Almond Tree Restaurnat and gardens
check ochoriosjazz.com for current artist lineups and other details
Activities wil kick off on June 1 at Kingston's Emancipation park (right across the street0 with a free concert featuring sax man Houston Person and guitarist Maurice Gordon &friends.
Jazz Fest will also include South Coast party at Treasur Beach, a jazz an poetry session at Weekenz in Kingston, jazz lunch atthe Starapples Restaurant and jazz n blues nites at red Bones and the University of Technology (UTECH).
Ocho Rios and environs is, of course the main focal point and will host a range of free and paid events at various spots, including the faith's pen Rest Stop (along main highway between Kingston and North Coast), Runaway bay (Super Clubs' Breezes Hotel) and the climax at the Almond Tree Restaurnat and gardens
check ochoriosjazz.com for current artist lineups and other details
Tuesday, May 10, 2005
More from St. Lucia
14th St. Lucia jaz is now history. UB40 closed Sunday
night with satisfying if unspectacular set taking in
their 25 years asa reggae band (unchanged core lineup)
before them, Chris Botti, w/ Billy Kilson on drums Mark Schulman
on guitar, Federico Pena on piano and Jon Osmond on bass
delivered tight set focussing on his latest release, "When I Fall in Love"
Earl Klugh wasalso stirring, as was Dave Koz and his band the previous
afternoon. Audience-wise, Saturday's show belonged to
American Idol Fantasia Barreno. Showed great confidence
and crowd -esp. ladies - lapped up every bit of her
"Independent Woman" schtick.
The Isleys, featuring Ron Isley looked and sounded good
(Ron recently recovered from a stroke) but set was a bit
shorter and not quite as intense as previously (they headlined
a mother's Day bill in Kingston about 2 years ago).
Also notable: local boy roots sax stylist Rob "Zi" Taylor and
vocalist Tracy Hamlin who opened on Saturday and Sunday
respectively.
night with satisfying if unspectacular set taking in
their 25 years asa reggae band (unchanged core lineup)
before them, Chris Botti, w/ Billy Kilson on drums Mark Schulman
on guitar, Federico Pena on piano and Jon Osmond on bass
delivered tight set focussing on his latest release, "When I Fall in Love"
Earl Klugh wasalso stirring, as was Dave Koz and his band the previous
afternoon. Audience-wise, Saturday's show belonged to
American Idol Fantasia Barreno. Showed great confidence
and crowd -esp. ladies - lapped up every bit of her
"Independent Woman" schtick.
The Isleys, featuring Ron Isley looked and sounded good
(Ron recently recovered from a stroke) but set was a bit
shorter and not quite as intense as previously (they headlined
a mother's Day bill in Kingston about 2 years ago).
Also notable: local boy roots sax stylist Rob "Zi" Taylor and
vocalist Tracy Hamlin who opened on Saturday and Sunday
respectively.
Saturday, May 07, 2005
Ravi, Riley and NE
From St. Lucia - saw Ravi Coltrane Quartet - Coltrane -saxes;
Luis Perdomo - p; Drew Gress-b ; E.J. Strickland -d at The
Gaiety Theatre last nite- awesome!!
Also real good ben Riley's Monk legacy septet -
four horns, bass, elec. guitar and Riley behind the kit -
very good esp. Peter Washington on bass, Wayne Escoffrey
on sax (tenor) and freddy Bryant on guitar
later, caught R&B proto-boy band new Edition
(sans Bobby, of course) out at the Pigeon Island facility
- great energy as they weaved back and forth through
their catalog (can't believe its over 20 years since "Candy Girl").
Tonite - more R&b with the Isleys and Am. Idol phenom Fantasia
Luis Perdomo - p; Drew Gress-b ; E.J. Strickland -d at The
Gaiety Theatre last nite- awesome!!
Also real good ben Riley's Monk legacy septet -
four horns, bass, elec. guitar and Riley behind the kit -
very good esp. Peter Washington on bass, Wayne Escoffrey
on sax (tenor) and freddy Bryant on guitar
later, caught R&B proto-boy band new Edition
(sans Bobby, of course) out at the Pigeon Island facility
- great energy as they weaved back and forth through
their catalog (can't believe its over 20 years since "Candy Girl").
Tonite - more R&b with the Isleys and Am. Idol phenom Fantasia
Tuesday, May 03, 2005
Jimmy Sommers jams in Jamaica
In the midst of the buzz on the upcoming Ocho Rios
jazz fest comes word of yet another renowned overseas
jazz artist to visit our shores for the Father's Day weekend.
Rising saxophone star Jimmy Sommers has joined with
CARGO Magazine and the prestigious Appleton Estate V/X
Jamaica Rum www.appletonrumus.com brand to perform a
series of concerts coined "An Evening Escape with Jimmy Sommers."
Appleton is a fine aged Jamaican rum produced by J. Wray & Nephew,
proprietor of the Appleton Estate, where rum has been distilled
and hand blended since 1749. "An Evening Escape With Jimmy Sommers"
is a 28-city, 2-year National tour promoted and managed by the Glasure Group www.glasuregroup.com, a marketing and public relations firm based in St. Petersburg, FL.
jazz fest comes word of yet another renowned overseas
jazz artist to visit our shores for the Father's Day weekend.
Rising saxophone star Jimmy Sommers has joined with
CARGO Magazine and the prestigious Appleton Estate V/X
Jamaica Rum www.appletonrumus.com brand to perform a
series of concerts coined "An Evening Escape with Jimmy Sommers."
Appleton is a fine aged Jamaican rum produced by J. Wray & Nephew,
proprietor of the Appleton Estate, where rum has been distilled
and hand blended since 1749. "An Evening Escape With Jimmy Sommers"
is a 28-city, 2-year National tour promoted and managed by the Glasure Group www.glasuregroup.com, a marketing and public relations firm based in St. Petersburg, FL.
Monday, May 02, 2005
St. Lucia Bound
Jazzofonik will be off to St. Lucia as of Fri. May 6
to catch the sounds and sights of the annual
St. Lucia jazz festival.
We return on May 10 with a full report
technology permitting I'll also post
from the festival itself.
to catch the sounds and sights of the annual
St. Lucia jazz festival.
We return on May 10 with a full report
technology permitting I'll also post
from the festival itself.
Subscribe to:
Posts (Atom)
